A Quietus Interview:
Black Midi
Features
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A Quietus Interview
Copper Turns To Green: An Interview With Meatraffle
Meatraffle portraits courtesy of Felipe Pagani tQ meets Meatraffle, at their suggestion, in th...
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Three Songs No Flash
Woolstock: Future Yard Festival Reviewed
Dry Cleaning, photo by Keith Ainsworth On one side of the River Mersey is the city of Liverpool...
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Baker's Dozen
Thirteen Masks: Jarboe's Favourite Music
Jarboe has always been a mould-breaker. Many readers will no doubt be aware of her stint in Swa...
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Rum Music
Rum Music For August Reviewed By Jennifer Lucy Allan
August is my least favourite month for new releases. Firstly, there’s not much out. Secondly, t...
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A Quietus Interview
No Dramas: HTRK Interviewed
It’s 1am Melbourne time when The Quietus talks to HTRK on WhatsApp, and 7pm in Qatar. Singer Jo...
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Noel's Straight Hedge
Straight Hedge: Punk & HC Reviews For August By Noel Gardner
There’s nothing like a gaggle of hot new punk unknowns steaming into the scene context-free, an...
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Features
Trees Are Good Trees Are Good: Flow Festival Reviewed
Celebrating its 15th anniversary, Helsinki’s Flow Festival has nicely positioned itself as one ...
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Tome On The Range
Definitely Dusty: Lucy O'Brien's Ten Essential Springfield Tracks
Twenty years on from her passing, Lucy O’Brien has updated Dusty, her classic biography of 60s ...
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Tome On The Range
Songs Of Entropy: Lawrence Kramer, In Search Of The Audiable
The first mechanical recordings of the human voice are well over a century old. The passage of ...
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Craft/Work
How Does It Feel? Michael Bracewell Show Explores Art & Pop, 1976–1995
Richard Hamilton, Diab DS-101 computer, 1985–89, Mixed Media 70 x 50 x 50 cm. © The Estate of Ri...
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