The Lead Review:
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Craft/Work
Decolonising The Museum: Kader Attia At The Hayward Gallery
Installation view of The Repair from Occident to Extra-Occidental Cultures, Kader Attia_ The Mus...
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The Lead Review
A Better Tomorrow: Caterina Barbieri's Ecstatic Computation
Readers of a certain age might remember a computer game called Omikron: The Nomad Soul, which c...
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Escape Velocity
The Fall And Rise: An Interview With Imperial Wax
Photo by Daniel Scanlin When Mark E. Smith died in 2018, one of the greatest bands in British h...
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Features
Things Learned At: Intonal Festival
All live photography by Lamia Karic I’ve never been to a gig on the rooftop of a Swedish rowin...
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Noel's Straight Hedge
Noel's Straight Hedge: Punk & Hardcore In Review For May
Didn’t plan it that way, but this wound up being a particularly noisy edition of Straight Hedge...
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Three Songs No Flash
You're Never Alone: Luke Turner On Suede Live
At gigs by bands of a certain vintage I’m often left wishing that the audience would act their ...
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A Quietus Interview
Time To Forget Everything You Know About Lightning Seeds
Because it was Top Of The Pops, I know the exact date I first heard one of Ian Broudie’s songs....
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Tome On The Range
Mapping The West Midlands: The Stories Of Lisa Blower
“There was a time when you couldn’t eat a meal with any decency without the potters from Stoke...
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Tome On The Range
Listening To The Light Of Grass: Elizabeth-Jane Burnett's The Grassling
It is Gary Snyder, itinerant scholar-poet of the Pacific Rim, who called upon us, some forty ye...
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The Lead Review
Star Spangled Bangers: Big Wows By Stealing Sheep
The opening song ‘Show Love’ starts off the album with the sound of something being cracked ope...
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Laurence Pike
Helm
Stereolab
Ruby Rushton
Clinic
Lee Ranaldo / Jim Jarmusch / Marc Urselli / Balázs Pándi
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