Herzog's Fitzcarraldo
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Features
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Escape Velocity
Wider Future: An Interview With Osheyack
Photos by Dre Romero In 2012, Eli Osheyack had just moved to Shanghai, staying with a friend. I...
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Anniversary
Non-Linear: DJ Shadow's The Private Press At 20
It may seem almost churlish, but it's hard to overlook the fact that Nas and DJ Shadow make for...
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Craft/Work
How Does It Feel To Feel? The Ardent Imagery Of Marlene Dumas
Marlene Dumas, Betrayal, 1994, Private collection. Courtesy David Zwirner, New York. Installatio...
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Tome On The Range
If You Know, You Know: An Interview With Iphgenia Baal & Ben Graville
life was like that already… now it’s the same only worse That is the proclamation of London no...
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Reissue Of The Week
Reissue Of The Week: Síntomas De Techno
In his 2011 book Sonic Persuasion: Reading Sound in the Recorded Age, Greg Goodale argues that ...
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Three Songs No Flash
Beats Across Borders: Tallinn-Narva Music Week 2022 Reviewed
Jaakko Autio's sound installation On The Border / Rajalla. Photo by Anna Markova Picture this: ...
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Album Of The Week
Feeding Frenzy: Mythology By RSS B0Y 1
RSS B0Y 1 by Jadwiga Janowska MYTH0L0GY by RSS B0Y 1 Not a lot is known about RSS B0YS apart f...
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Low Culture
tQ's Exclusive Monthly Round-Up Playlist: May 2022
Photo by Maria Jefferis As part of your many, many perks for becoming a Quietus subscriber, we'...
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Low Culture
Low Culture Podcast: From Time Team To Colditz
We’re going back into the musty realms of history in this month’s Quietus Low Culture podcast, ...
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Strange World Of...
The Strange World Of... Avon Terror Corps
Bad Tracking, photo by Simon Holliday Medieval songs translated into sludge rock. An MC who pul...
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