Moses Boyd:
Musical Inspirations
Features
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Columnus Metallicus
Columnus Metallicus: Heavy Metal For March Reviewed By Kez Whelan
Welcome to another edition of Columnicus Metallicus, coming to you live and direct this month f...
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Remember Them...
Limits Of Transgression: Remembering Genesis P-Orridge
Forty years ago this week, on 20th March 1980, Throbbing Gristle played one of the most remarka...
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A Quietus Interview
The Revival Of Bona Rays: Chas Hines Interviewed
Vocalist Chas Hines is only just getting to speak at length in public about her experience in t...
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Tome On The Range
Music Has The Right To Children: Reframing Mark Fisher's Hauntology
The Caretaker at the Barbican. Photo by Matt Colquhoun I’m fairly certain that, in talking abou...
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Baker's Dozen
Psychic Hi-Fi: Genesis Breyer P-Orridge's Favourite Albums
Neil Megson, now known as Genesis Breyer P-Orridge, stands tall as an almost unique indiv...
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Tome On The Range
Courtney In Liverpool: An Interview With Dave Haslam
As a DJ, promoter, music writer and university lecturer, Dave Haslam has a long association wit...
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Craft/Work
Failing Better: The Radical Pedagogies Of Adelita Husni-Bey
“What would it mean if subjects were formed differently?” Adelita Husni-Bey asks over a glitchi...
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The Lead Review
Uncommon Pleasures: New Horse Lords Reviewed
A couple of years ago, I could easily listen to long, challenging pieces of music. I could have...
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Escape Velocity
Pure Reaction: Sinead O'Brien Interviewed
Photo by Zac Mahrouche Sinead O’Brien’s first musical memory is of her mother’s Ford Puma. “She...
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Baker's Dozen
Want 13: Rufus Wainwright's Favourite Music
Since the very beginning of his career, one of the many tributes that have been showered upon R...
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Thammudu & Mishti
Wackelkontakt
Vladislav Delay
Caribou
Porridge Radio
FLEE Project
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