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Features
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Features
Inner Ear: Polish Music For January Reviewed By Jakub Knera
Resina by Pawel Zanio Artists from Central and Eastern Europe enjoy regular coverage on this s...
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Baker's Dozen
Angel On My Shoulder: Serafina Steer’s Baker’s Dozen
Photo by Sophie Baker Over the years, music has made me do a lot of things, but some of the mos...
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Features
Landfill Sprechgesang? Yard Act's The Overload Reviewed
On February 4, Black Country, New Road release their second album Ants From Up There. Coming ex...
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Low Culture
Organic Intelligence V: Latvian Cosmic Pop
NSRD, courtesy of The Latvian Institute Of Contemporary Art We’re not luddites, we just feel y...
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A Quietus Interview
Blast Or Bless? The Ongoing Enigma Of Black Country, New Road
"Snow globes don’t shake on their own" The recent past is littered with relics that signal lo...
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Rum Music
Rum Music For January Reviewed By Jennifer Lucy Allan
Jessica Pavone As we all roll reluctantly into another fucking year I am taking a loose view o...
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Escape Velocity
Hardcore Trust Fall: Iceboy Violet Interviewed
Iceboy Violet, by Ana Radtsenko If Iceboy Violet isn’t performing at The White Hotel, they mig...
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Tome On The Range
Because You’re Worth It: Jake Chapman Rectifies George Orwell
As a young punk, 1984 stood out to me as a literary disappointment. I grew up in the heyday o...
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Craft/Work
I Travel: Paulina Olowska Takes Us To The Booking Office
Pierre et Gilles, Les Cosmonautes, 1991, C-Print edition after the original work Les Cosmonautes...
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Reissue Of The Week
Reissue Of The Week: Carambolage Reviewed
Carambolage by Achim Loeppke This is not so much a review as the story of a creative transfer ...
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