30th Anniversary
The Orb's U.F.Orb
Features
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Reissue Of The Week
Reissue Of The Week: Albert Ayler's Revelations
Recorded at two high-profile concerts given on July 25th and 27th 1970 at the Fondation Maeght,...
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Album Of The Week
Feeling Sinister: LP.8 By Kelly Lee Owens
Kelly Lee Owens by Kim Hiorthøy-2 It’s Sunday, 29 January 2017, 8:31 PM EST. I receive a seven-...
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Rum Music
Rum Music For April Reviewed By Jennifer Lucy Allan
Julia Reidy, photo by Joe Talia This month I travelled across the pond for a family visit to th...
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A Quietus Interview
Electric Light Orchestra: Viridian Ensemble Interviewed
Viridian Ensemble, who play Bristol New Music festival on May 7 The first time I saw Viridian ...
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Baker's Dozen
Let It Happen: Paddy Shine's Baker's Dozen
Imbued with cosmic magnificence and chaos energy, the music of Paddy Shine – both his work in G...
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Features
Columnfortably Numb: Psych Rock For April Reviewed By JR Moores
This spring I have become curiously hooked on Psychle, a popular internet vocabulary game recen...
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A Quietus Interview
It Took The Night To Believe: Greg "The Lord" Anderson Interviewed
Portraits by Al Overdrive If you went down to the woods of southern California during the past...
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Tome On The Range
That Wasn’t Right, Mark: When Fat White Family Met The Fall
The Landlord had been assuring me for some weeks that the solution to my Glastonbury 2015 dilem...
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Craft/Work
The Raw & The Cooked: Seth Price’s Uncanny Valley
Installation view, Seth Price, Art Is Not Human, Sadie Coles HQ, London, 13 April-28 May 2022. C...
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Reissue Of The Week
Reissue Of The Week: Jarboe – Skin Blood Women Roses
In the years of pre- and post-millennial tension following the demise of the great entity known...
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Use Knife
The Real Tuesday Weld
Dominic Voz
Siavash Amini & Eugene Thacker 
Magma
The Comet Is Coming 
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