A Quietus Interview:
Black Midi
Features
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Craft/Work
Dossier 37: Unidentified Vibrational Objects On The Plane of Unbelief
All images courtesy AUDINT The clammy tropical air bristles with a shrill, insectoid buzz…. In...
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Craft/Work
The Politics Of Extraction: Art Of The Liquid Crystal Display
Image credit: Courtesy of the artist Waad AlBawardi, The Hidden Life of Crystals, 2017 Tools of...
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Tome On The Range
30th Century Music Now: Mick Houghton Remembers Sun Ra
I was always drawn to outsider artists. As a rule they rank high on inventiveness and originali...
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Features
LIVE REPORT: Donau Festival
The bartender at my local is covered with tattoos, and when he tells friends good-bye, he says,...
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The Lead Review
Fantastic Planet: Vanishing Twin And The Age Of Immunology
Almost a year ago, Vanishing Twin released a cassette called Magic & Machines, a set of spa...
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Escape Velocity
Catching The Groove: Buttechno Interviewed
Buttechno plays this year's Terraforma festival which takes place near Milan from July 4-...
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A Quietus Interview
Gorgeous Decay: Liz Harris On Her New Project Nivhek
After its own death / Walking in a spiral towards the house by Nivhek Grouper is Liz Harris, but...
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Strange World Of...
The Strange World Of… Stereolab
Stereolab play Green Man festival this August As Repeater Books’ Post Punk Then And Now descri...
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A Quietus Interview
Calling Occupant Of Interplanetary Craft: Matias Aguayo Interviewed
Portraits by Alexis Mandujano The Dance Music Outsider has become a familiar trope. He probabl...
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Tome On The Range
Delight In Small Fuck-Yous: Natasha Lennard's Non-Fascist Life
Photo by Josh Sorenson Natasha Lennard’s collection of essays begins with a moment of slightly ...
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