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Tome On The Range
Activity Maps: How Roy Ascott’s Groundcourse Revolutionised Art Education
Eno at Watford Originating at Ealing (1961–64) and then Ipswich (1964–67), Roy Ascott’s Groundc...
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Craft/Work
Figure In A Landscape: The Paintings Of Patrick Procktor
Patrick Procktor, Juliet Benson, 1968, Palazzo Bentivoglio, Bologna, ph Carlo Favero Controvers...
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Subscriber Area
Miracle Sheep: An Interview With Slow Tree
To receive Singularity track 'Outer Limits' by Slow Tree become a Quietus Sound & Vision su...
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Quietus Charts
Music Of The Month: The Best Albums And Tracks Of January 2023
For me, 2023 has got off to a strange start. Just a month in, and already the highs have felt h...
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Reissue Of The Week
Reissue Of The Week: Wolf Eyes V/A – Difficult Messages
Difficult Messages by Wolf Eyes v/a When the first email was sent out announcing Difficult Messa...
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Album Of The Week
End Times: Oozing Wound's We Cater To Cowards
Oozing Wound by Evan Jenkins This could be the record that kills Oozing Wound. Thrashing thei...
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Strange World Of...
The Strange World Of... Chris Watson
Over the course of tQ’s 15 years online, I can think of few other artists who have provided me ...
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Complete Communion
Complete Communion: Jazz For January Reviewed By Peter Margasak
Mette Henriette. Photo by Anton Corbijn The passing of time only strengthens the case for Don ...
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Escape Velocity
The Happy Balance: An Interview With Jessica Winter
Photos by Nan Moore Jessica Winter came to music as if by necessity; as a child, she was diagno...
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Tome On The Range
Close To Him: Tom Sheehan’s Pictures Of The Cure
The Cure 1995 (c) Tom Sheehan I have to admit I can't recall exactly when I first saw my first ...
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Ultramarine
Wolf Eyes
Pere Ubu
Moni Jitchell
JAAW
Marta Salogni & Tom Relleen
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