Rum Music:
2022's Hits & Highlights
Features
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Album Of The Week
To Infinity And Beyond: ¡Ay! By Lucrecia Dalt Is A Stunning Sci-Fi Pop Opera
Photo by Aina Climent Though defunct since the 90s, there’s been a sprawling salt mine just out...
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Baker's Dozen
Different Folks: Angeline Morrison's Baker's Dozen
Photo by Nick Duffy When Angeline Morrison was a teenager in Birmingham, she found a place that...
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Hyperspecific
Hyperspecific: Dance Music For October Reviewed By Jaša Bužinel
Authentically Plastic by Darlyne Komukama Last weekend, I was invited to Prague as a guest of t...
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Noel's Straight Hedge
Straight Hedge! Noel Gardner Reviews Punk & HC For October
People (in punk) hate it when their friends become successful, this much is established, but wh...
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A Quietus Interview
Always Be Scared: An Interview With Gilla Band
Photos by Mark McGuinness The night before sitting down with Dara Kiely and Daniel Fox of Gilla...
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A Quietus Interview
False Idol: Park Jiha Interviewed
Photos by Marcin T. Jozefiak For an artist, engaging with the traditional often stems from a de...
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Three Songs No Flash
I’m Scum And I’m Your Son: Robbie Williams Live In London
Robbie Williams live at the O2, photo by PA For a specific type of man, the appeal of packing i...
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Escape Velocity
On The Frontier: AGAAMA Interviewed
Photos by Lucy Feng On AGAAMA’s second EP, Wandering Worlds, the mystique of an unknown future ...
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Tome On The Range
Haunted Resonance: An Interview With Alan Moore
Five hundred years ago we’d probably have burned him. Indeed, in 1583, that’s just what happene...
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Craft/Work
In The Laughing Lights: Max Ernst In Milan
L’angelo del focolare, 1937 Oliosutela, 114x146cm Collezione privata, Svizzera Classic paintings...
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