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Low Culture
If I Quit Now, They Win: What The X-Files Taught Me About Love
Only love can heal the wounds of the past. However, the intensity of our woundedness often lead...
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Craft/Work
Bodies That Matter: An Interview With Helen Marten
Install view, Helen Marten, Sparrows On the Stone, Sadie Coles HQ, London, 4 September - 30 Octo...
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Tome On The Range
One Tony Wilson Place: Paul Morley Interviewed
Tony Wilson Place is the large, public-private square which introduces Manchester’s city centre...
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Craft/Work
The Big Time: Simon Gilbert On Suede's Rise To Fame Photobook
Not many groups have been as unflinching about discussing their past as Suede. As well as the u...
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Reissue Of The Week
Reissue Of The Week: Pastor T.L Barrett’s Like A Ship (Without A Sail)
In the 1982 documentary Say Amen Somebody, 'Mother' Willie Mae Ford Smith pays tribute to Thoma...
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Album Of The Week
Such Gravity Without A Centre: Lavinia Blackwall & Laura J Martin Are Wyndow
We live in a time ripe for worry. Such uncertainties and neuroses stain our lives in the ongoin...
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Features
Cinema As Enema: The Butthole Surfers On Film
For such a viscerally theatrical band, whose live shows blurred the line between music and perf...
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Baker's Dozen
Mood Music: Andy Bell’s Favourite Albums
Photo by Andree Martis As a founder member of Ride, Andy Bell was part of a wave of early-ninet...
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Strange World Of...
The Strange World Of… Howlin' Rain
Howlin' Rain in 2021 courtesy of Kristy Walker “Psychedelia is the linking factor running thro...
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Spool's Out
Spool’s Out: Cassette Reviews For October By Daryl Worthington
Stice by Walter Wlodarczyk In 2020 Temp-Illusion's Pend balanced making audible the oppressive...
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Bye Bye Tsunami 
Maya Shenfeld
75 Dollar Bill
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