A Quietus Interview:
Black Midi
Features
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Tome On The Range
Bible Burning: Sleevenotes By Joe Thompson Review, Extract & Interview
When I first became a music writer in 2003, it was a case of, ‘Jump in the river while holding ...
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Craft/Work
"We Know Nothing About The Future": HANNAH By Verdensteatret
In November 2016, the Norwegian artist collective Verdensteatret retraced their steps along the...
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Tome On The Range
The Great Fire Of London: Plume By Will Wiles
I had the contents of my pockets, which included my phone, my wallet and my Oyster card. The be...
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Tome On The Range
The Return Of The Native: Maurice Manning Interviewed
Author portrait by Steve Cody Abraham Lincoln is an American secular icon. His image - and the...
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The Lead Review
Books For Burning: Four Bibles By Hey Colossus
“Bands who stick with the same sound album after album are lying to you,” Hey Colossus bassist ...
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Three Songs No Flash
Fat White Family & Black Country New Road Live In London
All photographs in gallery courtesy of Valerio Berdini The Fat White Family’s first two albums...
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Escape Velocity
Forbidden Fruit: From Hot Chip To Black Peaches With Rob Smoughton
“I think shortened attention spans have been detrimental to pop music,” Rob Smoughton, leader o...
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Features
Columnfortably Numb: Psych Rock For May Reviewed By JR Moores
The previous edition of Columnfortably Numb seemed to ruffle the feathers of a certain alternat...
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Strange World Of...
The Strange World Of... Gong
Formed in Paris in 1967 by Daevid Allen and Gilli Smyth, and graced by a succession of over 50 ...
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Escape Velocity
Pinch Punch The First Of The Month: December Interviewed
December is the moniker of Paris-based producer Tomas More, under which he produces music that'...
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The Hold Steady
Joel Oppenheimer / Hans Plomp / Piero Heliczer
Blanck Mass
Haiku Salut
Sharky
Sadness
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