Baker's Dozen:
Shirley Collins
Features
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The Lead Review
Orcadian Rhythms: Erland Cooper's Hether Blether
credit: Alex Kozobolis One of the more memorable scenes from Joris-Karl Huysmans’ decadent, fin...
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Low Culture
Low Culture 7: How The Bryan/Brian Schism Worked For Roxy Music
Before you read on, we have a favour to ask of you. If you enjoy this feature and are currently...
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Escape Velocity
Glitch And Aberration: Svetlana Maraš Interviewed
Portrait by Branko Starčević Composer and sound artist Svetlana Maraš works at the intersectio...
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Baker's Dozen
In Other Worlds: Tim Burgess' Favourite Albums
Amidst enforced solitude and Westminster weaselry, Tim Burgess has single-handedly transformed ...
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A Quietus Interview
God-Killer’s Alive: Owen Pallett Interviewed
“I have to write fantasy songs. If I wrote about my own life people would get bored to fucking ...
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Rum Music
Rum Music For May, Reviewed By Jennifer Lucy Allan
Upon finishing this month's column I noticed that lots of what's snagged me lately has been rhy...
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A Quietus Interview
A Demon The Colour Of Cosmic Energy: Oranssi Pazuzu Interviewed
At the end of 2019, I wrote a feature for the Guardian explaining why I thought that Sunn O))) ...
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Craft/Work
A Thousand Words: Artists, Critics, & Curators Choose Books On Art
I had wanted to be a fictional art critic. Not that I once wished to become, somehow, unreal, t...
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Tome On The Range
Data, Driven: Wendy Liu's Abolish Silicon Valley
Wendy Liu epitomises the zeal of a convert. While once she chased the dreams of excessive wealt...
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The Lead Review
Everything Has An End: Aksak Maboul Sum Up With Figures
Aksak Maboul - credit Samuel Kirszenbaum Aksak Maboul were a Belgian avant-rock band formed in ...
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