A Quietus Interview:
Black Midi
Features
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Rockfort
Rockfort! French Music For June Reviewed By David McKenna
This missive from the French fringes kicks off with further proof that Félicia Atkinson and Bar...
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Spool's Out
Spool's Out: Cassette Reviews For June By Tristan Bath
The latest episode of Spool’s Out Radio on Resonance FM comprised the standard high quality mix...
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Baker's Dozen
Earthly Delights: Konx-Om-Pax's Favourite Music
Portrait by Alicja Khatchikian “To be honest, I’ve been trying to make stuff like this s...
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The Lead Review
Boom Boom Boom (Way-Ooh): Schlagenheim by Black Midi
credit: Anthrox Studios At the very end of Masahiko Satoh & Sound Breakers’ 1971 record Ama...
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Noel's Straight Hedge
Noel's Straight Hedge: Punk & Hardcore In Review For June
Sure we’ve all had the experience, as fans of weird stupid life-affirming music, of encounterin...
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Features
New Weird Russia #4: Outside The Capitals
TW: discussion of violent sexual assault Rather than (stupidly) attempt to set down any kind o...
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Three Songs No Flash
Crowd Sourced Succour: Conversations With Nick Cave Live
Live photograph by David Barajas For a period in the early 1980s, Nick Cave’s The Birthday Par...
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Anniversary
The Schrödinger’s Cat Trilogy By Robert Anton Wilson At 40
Born into the ‘Irish Catholic Ghetto’ of Flatbush, Brooklyn, on January 18, 1932, Robert Anton ...
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Tome On The Range
Heavenly Bodies: The Queer Time Of Lindsey Drager
Halley's comet glances upon the Earth once every seventy-five years, a celestial visitation whi...
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Craft/Work
Between Signal And Noise: The Feminist Soundscapes Of Aura Satz
Aura Satz, Tuning Interference: Dark Matter Radio (2019) at Science Gallery London. Ten speaker ...
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Gruff Rhys
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