Baker's Dozen:
Shirley Collins
Features
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The Lead Review
Real Estate Rock: Amnesia Scanner Seem Bored With Their Own Future
Photo by VIlle Kallio Amnesia Scanner describe themselves – straight-faced, apparently – as "ED...
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Low Culture
Low Culture 8: Why The For Carnation Should Not Stand In Slint's Shadow
Before you read on, we have a favour to ask of you. If you enjoy this feature and are currently...
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Baker's Dozen
Things I Hold Dear: Nadine Shah's Favourite Albums
On Nadine Shah's previous album Holiday Destination there's a song called '2016' which alludes ...
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A Quietus Interview
Disco Not Disco: Gavilán Rayna Russom Interviewed
Portraits by Guarionex Rodriguez Jr It’s thirty years – almost to the day – since Gavilán Rayn...
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A Quietus Interview
Bring Out Your Dead: Tom Gabriel Fischer Interviewed
All portraits by Ester Segarra As much as Carol Reed’s powerful noir The Third Man is a hallow...
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Craft/Work
A Pitch Dark Void: Twenty Years Of The Tate Modern's Turbine Hall
Juan Muñoz, Double Bind (June 2001 – March 2002) Double Bind was the second Turbine Hall commi...
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Tome On The Range
Proper Obscurity: Arc Light Editions
Vinyl Therapy, Saturday afternoons in the upstairs room of a pub near London Bridge. The theme ...
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Tome On The Range
Missing The Jackpot: William Gibson's Slow-Cooked Apocalypse
Credit: Stuart Simpson “There’s never been a culture that had a mythos of apocalypse in which t...
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Features
Music Of The Month: May 2020
With uncertainty continuing to reign as many of us head towards the summer months, our resolve ...
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Features
Quietus Writers On Why BBC4 Is Worth Saving
For a few years at the turn of the last decade, it seemed that BBC4 had become a front operatio...
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Laura Cannell
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