A Quietus Interview:
Black Midi
Features
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Tome On The Range
The Vernacular Of Places: Max Porter's Lanny
Beyond all other things, Max Porter is an author who writes about love. In Grief Is A Thing Wit...
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Tome On The Range
Major League: An interview with Simon Moreton
Simon Moreton will be familiar to readers of tQ’s comics coverage as one of the UK’s foremost s...
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Features
Albums Of The Month: Music We've Loved This April
‘Got Sprung…’ by Lisa Cradduck As we edge closer and closer to the British summer, our l...
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Features
Things Learned At: Elevate Festival
Elevate Festival by Johanna Lamprecht Familiarity Breeds Fondness Returning to an annual fest...
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Craft/Work
Decolonising The Museum: Kader Attia At The Hayward Gallery
Installation view of The Repair from Occident to Extra-Occidental Cultures, Kader Attia_ The Mus...
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The Lead Review
A Better Tomorrow: Caterina Barbieri's Ecstatic Computation
Readers of a certain age might remember a computer game called Omikron: The Nomad Soul, which c...
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Escape Velocity
The Fall And Rise: An Interview With Imperial Wax
Photo by Daniel Scanlin When Mark E. Smith died in 2018, one of the greatest bands in British h...
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Features
Things Learned At: Intonal Festival
All live photography by Lamia Karic I’ve never been to a gig on the rooftop of a Swedish rowin...
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Noel's Straight Hedge
Noel's Straight Hedge: Punk & Hardcore In Review For May
Didn’t plan it that way, but this wound up being a particularly noisy edition of Straight Hedge...
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Three Songs No Flash
You're Never Alone: Luke Turner On Suede Live
At gigs by bands of a certain vintage I’m often left wishing that the audience would act their ...
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Purple Mountains
Pere Ubu
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