Herzog's Fitzcarraldo
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Features
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Reissue Of The Week
Reissue Of The Week: Jarboe – Skin Blood Women Roses
In the years of pre- and post-millennial tension following the demise of the great entity known...
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Low Culture
I Am The Resurrection: How The BBC's Manchester Passion Ignited My Indie Adolescence
“Welcome to Manchester! Founded by the Romans, bombed by the Nazis… and the IRA!" So began the ...
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Anniversary
Warping The Landscape: Laurie Anderson's Big Science Revisited
“That’s what I’ve chosen for the soundtrack to this landscape. It’s not expected.”Steve Coogan ...
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Album Of The Week
If You Go Down To The Woods Today: Forest Nocturne By The Lord
© Al Overdrive From the early 1930s, H. P. Lovecraft was corresponding with then aspiring weird...
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Columnus Metallicus
Columnus Metallicus: Heavy Metal For April Reviewed By Kez Whelan
Alunah Navigating the return of live music in a post-covid world may still be a challenge, but ...
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Escape Velocity
The Fur Will Fly: Deep Tan Interviewed
Photos by Alex Loveless Deep Tan are in high spirits as they speak to tQ on an early morning Zo...
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Low Culture
Organic Intelligence VII: Bill Brewster's Balearic Sound Of Scandinavia
Thirty five years ago, Balearic was a descriptor that meant little more than a summery clutch o...
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Tome On The Range
Keeping Scores: Women Writing Music
Sinéad Gleeson. Photo by Brid O'Donovan In 2019 I met with Sinéad Gleeson ahead of her Edinburg...
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Craft/Work
Off The Wall: Art, Photography, & The Album Sleeve
Vinyl: The Rolling Stones, Exile On Main Street, Rolling Stones Records - COC 6910, England, 197...
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Album Of The Week
Sweets To The Sweet: Carmel Smickersgill's We Get What We Get And We Don't Get Upset
Photo credit: Elspeth Moore It’s 2017 and I’m in a cigarette-smoke filled basement, one of the ...
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