A Quietus Interview:
Black Midi
Features
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Tome On The Range
Something Kinda Ooh: Lesley Chow At The Limits Of The Lyrical
One could write the story of American contemporary music based largely on a history of “oohs”: ...
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A Quietus Interview
Real Drool Time: An Interview With Part Chimp
Part Chimp portraits by Steve Gullick Part Chimp occupy semi-mythical status in the canon of h...
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The Lead Review
All The Right Moves: A Thrilling Debut From Nuha Ruby Ra
For Nuha Ruby Ra, breaking norms is a way to move forward. To transgress and to progress. Resis...
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Spool's Out
Spool’s Out: Cassette Reviews For March By Daryl Worthington
A/C Repair School is the Brazilian duo of Rafael de Toledo Pedroso and Carolina Simionato (who ...
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Strange World Of...
The Strange World Of... Arab Strap
Arab Strap by Kat Gollack This week, Arab Strap, the Scottish duo of Aidan Moffat and Malcolm ...
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Baker's Dozen
Panning For Gold: Fimber Bravo's Favourite Music
Fimber Bravo’s musical prowess was first seen in the late 1960s when he began playing classical...
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Escape Velocity
Summoning The Ancestors: Muqata’a Interviewed
Muqata'a by Raouf Haj Yihya When promoting a new album, many musicians would be reluctant to ...
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Low Culture
Low Culture Podcast Seven: Mariam Rezaei On Turntablism
Thanks to the ongoing pandemic the knackered old Quietus jalopy is breathing a lengthy sigh of ...
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A Quietus Interview
It’s Like The New Past – Life Without Buildings Interviewed
In pop music, and the cottage industry set up to auto-mythologise it, there’s little premium hi...
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Anniversary
Super Apes: Gorillaz’ Self-Titled Debut, 20 Years On
The first Gorillaz album is not the best album Damon Albarn ever made. It’s not even the best G...
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Squid 
Sheep, Dog & Wolf
Khalab & M’berra Ensemble
Yukika
Glüme
For Those I Love
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