The Strange World Of...
Yoko Ono
Books
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Books
The Art Of Self-Objectification: Alissa Nutting Interviewed
Alissa Nutting’s first book was the short story collection Unclean Jobs for Women and Gir...
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All Tomorrow's Voices: Melissa Lee-Houghton
If I’m honest, I don’t know a hell of a lot about poetry. Only what I like. So this colum...
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Two Poems By: Mira Gonzalez
A New York poet, by way of Los Angeles, author of the Sorry House published i will never ...
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An Open Letter To Sean Thomas
It takes a certain kind of audacity to annoy me, but your article for The Telegraph on th...
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Experiments on Experiments: Multiples Reviewed
With its McSweeney’s backing, and its editor being hyperactive literary jester Adam Thirl...
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Gone Man: Seamus Heaney Remembered
1: ‘…there was a sunlit absence.’ One of the last things I did before leaving home was g...
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An Extract From Mark Fisher's Ghosts Of My Life
The Slow Cancellation Of The Future ‘There’s no time here, not any more’ The final imag...
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Not Afraid Of Repetition: David Peace's Red Or Dead Reviewed
David Peace is not afraid of repetition. Repetition underpins and underscores all of his ...
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Imre Kertész: Music, Silence, Automation
‘After silence, that which comes nearest to expressing the inexpressible is music.’ – Ald...
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Lost In Translations, In The Library Of Babel
Much, inevitably, is lost in translation. Yet so much can be gained. Take Christa Wolf. S...
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