A Quietus Interview:
Annie
Tome On The Range
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Tome On The Range
Cardinal Sins: An Interview With Luke Brown
Photo: J.P. Kavanagh The cover of Luke Brown’s new novel Theft depicts a seagull, equal parts c...
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Tome On The Range
Music Has The Right To Children: Reframing Mark Fisher's Hauntology
The Caretaker at the Barbican. Photo by Matt Colquhoun I'm fairly certain that, in talking abou...
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Tome On The Range
Courtney In Liverpool: An Interview With Dave Haslam
As a DJ, promoter, music writer and university lecturer, Dave Haslam has a long association wit...
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Tome On The Range
Upside Down In Acocks Green: Pete Paphides' Broken Greek
The next few days followed a similar pattern. I’d go downstairs, pour myself a bowl of Frosties...
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Tome On The Range
Stripping Away The Scaffolding: An Interview With Eimear McBride
Photo: Sophie Bassouls Eimear McBride is an author synonymous with modern feminist literature. ...
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Tomorrow Belonged To Them: Kraftwerk’s Future Music From Germany
Photo by Ralph PH. Licence: CC Attribution 2.0 Generic No future for you? Not even up for guess...
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Tree Of Life: Mat Osman's Debut Novel, The Ruins
There are certain expectations of a release by an artist who is known for their work in another...
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Dreamtime Excursus: Penda’s Fen & Contemporary Occulture
I In ‘Ritual Music for the Accumulation of Energy’, a 2014 article for The Quietus, Jimmy Mart...
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The David Bowie Canon Is Here: Bowie’s Books By John O’Connell
Illustration by Luis Paadin David Bowie was a voracious reader: no surprise there. But what did...
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Tome On The Range
Give The Drummer Some: The Instruments Of Jaki Liebezeit
Jaki Liebezeit: Life, Theory and Practice of a Master Drummer is the new book edited by Jono Po...
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