Moses Boyd:
Musical Inspirations
Tome On The Range
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Tome On The Range
Popular Front 2.0: An Interview With Paul Mason
“I’ve just started learning to play the bouzouki,” Paul Mason tells me as I start by explaining...
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Tome On The Range
Storm Bringer: An Interview With James Ellroy
Photo (c) Marion Ettlinger At 71, and halfway through his biggest and baddest set of stories ye...
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Tome On The Range
30th Century Music Now: Mick Houghton Remembers Sun Ra
I was always drawn to outsider artists. As a rule they rank high on inventiveness and originali...
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Tome On The Range
Delight In Small Fuck-Yous: Natasha Lennard's Non-Fascist Life
Photo by Josh Sorenson Natasha Lennard’s collection of essays begins with a moment of slightly ...
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Tome On The Range
Behold! Summer’s Quietus Comics Round Up Column
It’s June and that means ELCAF is back at the Round Chapel in Hackney for another fine looking ...
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Tome On The Range
Bible Burning: Sleevenotes By Joe Thompson Review, Extract & Interview
When I first became a music writer in 2003, it was a case of, ‘Jump in the river while holding ...
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Tome On The Range
The Great Fire Of London: Plume By Will Wiles
I had the contents of my pockets, which included my phone, my wallet and my Oyster card. The be...
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Tome On The Range
The Return Of The Native: Maurice Manning Interviewed
Author portrait by Steve Cody Abraham Lincoln is an American secular icon. His image - and the...
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Tome On The Range
The Whitey Album: Bret Easton Ellis Runs Out Of Steam
Bret Easton Ellis has a problem: the current moment. He can’t be having it and so instead of gi...
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Tome On The Range
From Ballet To Sex & The Pistols: How Jordan Became The Face Of Punk
In 1973, four years before she was slapping on Mondrian-style face paint, managing and performi...
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