Baker's Dozen:
Shirley Collins
Tome On The Range
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Tome On The Range
That’s Really Not Okay: An Interview With Tim Etchells
Type the word ‘Endland’ and your phone will autocorrect it to ‘England’, as if it’s started doi...
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Tome On The Range
Sweet Romance, Danger, & Memories: Eve Babitz on Film, Art, Drugs & LA
The cheeringly successful re-issue of novels by Eve Babitz means that NYRB Classics have now gr...
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Tome On The Range
5th Chamber—Creative Reorganisation: Will Ashon Enters The Wu
It seems likely that any culture born out of slavery will be re-referential, in that its mode o...
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Tome On The Range
Unearthing Ancient Evils: An Interview With Adam Nevill
The arrival of a new Adam Nevill novel, especially one timed to appear on Halloween, is always ...
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Tome On The Range
Quantity Theory Of Inanity: Will By Will Self Reviewed
When did it all start going wrong for Will Self? Once part of the Soho intelligentsia set of th...
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Tome On The Range
What We Talk About When We Talk About Pop: Agnès Gayraud
My Dad is primarily a fan of classical music but his tastes do extend to some rock, particularl...
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Tome On The Range
Expansive Gigography: Graham Duff’s Foreground Music
Foreground Music is a delight. Not just for music lovers, who will find themselves resonating w...
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Tome On The Range
Knowle West Boy: Reading Tricky's Memoir
About a third of the way through his new autobiography, Tricky tells us that “my music is weird...
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Tome On The Range
Becoming Prince: The Beautiful Ones Reviewed
“I took this picture of the heater and I, in the bathroom mirror,” Prince wrote. This turned out...
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Tome On The Range
A Tug Of Unease: Reading Jia Tolentino’s Trick Mirror
Subtitled ‘Reflections on Self-Delusion’, Jia Tolentino’s terrific selection of essays gleans m...
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Kingmaker
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Nicolas Bougaïeff
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