A Quietus Interview:
Black Midi
Tome On The Range
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Tome On The Range
Room To Live: Dave Haslam On Sylvia Plath & Ian Curtis
I first visited Sylvia Plath’s grave in 1988 with a film crew. Tony Wilson had asked me to pick...
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Tome On The Range
Take Apart My Baby’s Heart: Peter Salmon On Jacques Derrida & Music
On 1 July 1997, the philosopher Jacques Derrida walked on stage at the Paris La Villette jazz f...
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Tome On The Range
The Metaphysics Of Narrative: M. John Harrison’s Uncanny Canon
Photo (c) Hugo Glendinning M. John Harrison has long laboured under the unfortunate moniker of ...
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Tome On The Range
Under The Skin: Skunk Anansie At Glastonbury, 1999
‘Secretly’ was released in May 1999 and became a hit in the UK and throughout Europe, and Leigh...
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Tome On The Range
Documents Of Barbarism: Ryan Diduck's Limits Of Control Playlist
“There is no document of culture which is not at the same time a document of barbarism.” ...
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Tome On The Range
The Limits Of Control: Why The Covid Lockdown Is Like A Game Of Snooker
An avalanche of metaphors appeared across media during the COVID-19 pandemic: mostly war metaph...
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Tome On The Range
The Realness: Dhanveer Singh Brar On Dean Blunt’s Black Avant-Garde
Dhanveer Singh Brar’s book-essay Beefy’s Tune (Dean Blunt Edit) is an analysis that draws a phi...
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Tome On The Range
The Last Monday On Earth: Mark Fisher’s Postcapitalist Desire
The metro was clinking and clacking away. It was the mid-2010s and I had just read Mark Fisher’...
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Tome On The Range
We Have Also Sound Houses: How A 17th C. Utopia Foresaw Electronic Music
We have also sound-houses, where we practice and demonstrate all sounds and their generation. ...
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Tome On The Range
Personality Crisis: Jolts By Fernando Sdrigotti
I pick up Fernando Sdrigotti’s latest collection, Jolts, with serious intent for the first time...
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