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Bolt Thrower
Tome On The Range
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Tome On The Range
Under The Skin: Skunk Anansie At Glastonbury, 1999
‘Secretly’ was released in May 1999 and became a hit in the UK and throughout Europe, and Leigh...
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Tome On The Range
Documents Of Barbarism: Ryan Diduck's Limits Of Control Playlist
“There is no document of culture which is not at the same time a document of barbarism.” ...
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Tome On The Range
The Limits Of Control: Why The Covid Lockdown Is Like A Game Of Snooker
An avalanche of metaphors appeared across media during the COVID-19 pandemic: mostly war metaph...
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Tome On The Range
The Realness: Dhanveer Singh Brar On Dean Blunt’s Black Avant-Garde
Dhanveer Singh Brar’s book-essay Beefy’s Tune (Dean Blunt Edit) is an analysis that draws a phi...
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Tome On The Range
The Last Monday On Earth: Mark Fisher’s Postcapitalist Desire
The metro was clinking and clacking away. It was the mid-2010s and I had just read Mark Fisher’...
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Tome On The Range
We Have Also Sound Houses: How A 17th C. Utopia Foresaw Electronic Music
We have also sound-houses, where we practice and demonstrate all sounds and their generation. ...
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Tome On The Range
Personality Crisis: Jolts By Fernando Sdrigotti
I pick up Fernando Sdrigotti’s latest collection, Jolts, with serious intent for the first time...
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Tome On The Range
Radical Reading List: The Past & Present Of The Left Book Club
For a while, in the late 1930s, the Left Book Club had a membership of 57,000 subscribers. Foun...
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Tome On The Range
The Enthusiasm: Carl Neville's Eminent Domain Playlist
Carl, they asked me, would you like to write a piece to promote your counterfactual neo-moderni...
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Tome On The Range
Acid Communism, British Style: Carl Neville's Eminent Domain Reviewed
Carl Neville’s Eminent Domain begins with a death – at least, that’s the first temporal tile we...
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Jane Weaver
Do You Have the Force? Jon Savage’s Alternate History of Electronic Music, 1978–82
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