A Quietus Interview:
Black Midi
Tome On The Range
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Tome On The Range
Fishy Tales: Rodrigo Fuentes' Trout, Belly Up
“The water was churning, looked like it was boiling, and the surface filled with the metallic f...
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Tome On The Range
Straight Outta Salford: The Non-Poetry Of Shaun Ryder
Photo by Elspeth Moore Is Shaun Ryder a poet? In Wrote for Luck, a selection of his lyrics for ...
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Tome On The Range
Wild Female Imagination: ‘Women Talking’ By Miriam Toews
Photo: Carol Loewenb Miriam Toews’s novel Women Talking is inspired by a set of events which to...
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Tome On The Range
Beverley Hills Adjacent: Extract From Wayne Holloway's Bindlestiff
Los Angeles, 2016 In the argot of Californian realty, (a standalone word and not a slurred ta...
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Tome On The Range
Electric Blue: Chris O'Leary On Bowie's Sound And Vision
By Jean-Luc - originally posted to Flickr as David Bowie, CC BY-SA 2.0 Chris O’Leary’s new boo...
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Tome On The Range
Behold! Winter’s Quietus Comics Round Up Column
Pete Redrup’s selection Before I dive into the comics I’ve enjoyed the most this year, a cavea...
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Tome On The Range
Leaky Jars & Millennial Malaise: New Fiction By Geraldine Snell
Thursday 3rd November, 19:00 Home: Oakworth, Yorkshire Curtttttttt, this sensation is delic...
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Tome On The Range
Hair And Angels: A Christmas Story By Marcel Theroux
So in a voice, so in a shapeless flame Angels affect us oft… —John Donne I was in my shop on ...
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Tome On The Range
Cinema Without Images: The Unusual Sounds Of Library Music
Back some time in the 1990s, David Hollander first discovered library music amongst the shelves...
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Tome On The Range
Make Way For Queer Communism: Owen Hatherley In Bishkek
In the 1970s, in Frunze, the capital of the Soviet Socialist Republic of Kirghizia, there exist...
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School Of Language
Babii
Mega Bog
Purple Mountains
Pere Ubu
Ondness
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