The Best Of Times:
Mavis Staples
Tome On The Range
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Tome On The Range
From Ballet To Sex & The Pistols: How Jordan Became The Face Of Punk
In 1973, four years before she was slapping on Mondrian-style face paint, managing and performi...
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Tome On The Range
The Vernacular Of Places: Max Porter's Lanny
Beyond all other things, Max Porter is an author who writes about love. In Grief Is A Thing Wit...
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Tome On The Range
Major League: An interview with Simon Moreton
Simon Moreton will be familiar to readers of tQ’s comics coverage as one of the UK’s foremost s...
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Tome On The Range
Mapping The West Midlands: The Stories Of Lisa Blower
“There was a time when you couldn’t eat a meal with any decency without the potters from Stoke...
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Tome On The Range
Listening To The Light Of Grass: Elizabeth-Jane Burnett's The Grassling
It is Gary Snyder, itinerant scholar-poet of the Pacific Rim, who called upon us, some forty ye...
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Tome On The Range
A Hub Of Potential: Mark Sinker On The UK Music Press
image credit: Savage Pencil What’s left to be said about the music press in the 1970s and 1980s...
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Tome On The Range
On Extinction and How Thomas Bernhard Can Save Us From Brexit
The minority and the individual are crushed by the majority because they are more in tune with ...
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Tome On The Range
Cobain The Craftsman: Nirvana Remembered By Their Former Manager
Had it not been for John Silva, his partner at their management company Gold Mountain Entertain...
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Tome On The Range
Data, Driven: Spotify Under Surveillance
In engineering parlance, a "teardown" is an investigatory disassembly. The idea is that, by pul...
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Tome On The Range
Dead Precedents: How Hip Hop Hacked The Future
Credit: GLEN E. FRIEDMAN © Photo Public Enemy New York City Early 1987 At the end of the 1980s...
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Zurkas Tepla
Bruce Springsteen
Skepta
Plaid
Harrga
Franck Vigroux
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