Low Culture Essay
Skate VHS Soundtracks
Books
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Books
Better Red Than Dead: Towards A Socialist Black Metal
Soon the dawn shall arise For all the oppressed to arm A chariot of thunder shall be seen And b...
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The Fight For Free Time: Helen Hester & Nick Srnicek’s Post-Work Future
Work sucks. It just does. Especially in the state that we’re in: a good job is harder and harde...
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Showtime! Adele Bertei, From Cabaret To The Contortions
Adele Bertei (The year is 1973.) I’m on stage wearing a bow tie, suspenders, and a bowler hat,...
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Let The Music Play: Six Steps In The Evolution of New York House
Marshall Jefferson and DJ Disciple (Photo Courtesy Of The Banks Family Collection) “We’ve all...
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Missing Pieces: Connie Converse & The Age Of The Great Lost Artist
The rediscovered music artist is a concept that seems to grow more attractive the further we mo...
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Badly Recorded Boy: Author Enrico Monacelli’s Lo-Fi Playlist
Image courtesy Jonas Ahrentorp. CC 2.0 I just published a book. It’s published by Repeater, and...
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Here Comes The Fear: David Bowie’s Scary Monsters (And Super Creeps)
Jean-Luc, CC BY-SA 2.0 All Clear 1980 Personal—eyes only Tragedy Converted Into comedy Indi...
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Noises In The System: Experimental San Diego Playlist By Bill Perrine
Donna Caruso performing Sky Drift by David Dunn, 1977, photo by Donna Dunn From trailer park pu...
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A Wide Open Place: UCSD & The Birth Of Pauline Oliveros' Sonic Meditations
Pauline Oliveros at Sonic Acts, 2012. Photo by Rosa Menkman. CC By 2.0 It was 1970 and Alexina ...
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Working The Land: Rebecca Smith’s Rural Explores Class & Countryside
In the 1990s, a BBC production team borrowed Rebecca Smith’s “wild looking but tame” rabbit She...
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