Low Culture Essay
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From Dusk Til Doom: Reading Harry Sword's Monolithic Undertow
Where do you begin with something that has no beginning? The drone – music characterised by the...
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Feedback Loops: How The Who Turned Pop Into Self-Destructive Art
Photo by Heinrich Klaffs, CC BY-SA 2.0 On 9 September 1966, The Who’s appearance at the Pier Pa...
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Liquid Lunch: Milk Fed By Melissa Broder
Photo by Lord Byron A tale of paradoxes from start to finish, Milk Fed is a whirlwind of energy...
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All The Feels: Megan Nolan's Acts of Desperation
Megan Nolan (c) Lynn Rothwell Famously, when describing Velvet Underground songs like ‘Heroin’,...
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But It's Completely Unrealistic: An Interview With Roy Wilkinson
Roy Wilkinson by Andrew Cotterill "I've got a few visual prompts here," announces Roy Wilkinso...
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Present, Tense: On Cake, Berlin & The Far Right With Musa Okwonga
Musa Okwonga is showing me his old smart phone. “Here it is!” he says, grinning, having dived b...
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Something Kinda Ooh: Lesley Chow At The Limits Of The Lyrical
One could write the story of American contemporary music based largely on a history of “oohs”: ...
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Beyond The Sea: Uwe Johnson, Patrick Wright, & The Isle Of Sheppey
Brent geese over Shellness and nudist beach. All pictures courtesy Patrick Wright We live in in...
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Electric Dreams: Why There's More To Synths Than The Keyboard
All images by Oli Freke Synth manufacturers have pursued the perfection of electronic music for...
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The Mystery Of Melody Nelson: The Making Of Gainsbourg's Histoire
© Claude Truong-Ngoc / Wikimedia Commons “I loved the cozy atmosphere of London studios,” Jean-...
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