A Quietus Interview:
James Holden
Tome On The Range
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Tome On The Range
The Things We Collect: An Extract From Nina Simone's Gum By Warren Ellis
The things we collect are the things that are of significance to us first and foremost. Outside...
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Tome On The Range
Kit Mackintosh's Neon Screams Playlist
Fuck the doom mongers, future music’s alive and thriving. For a decade the discourse among the...
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Tome On The Range
Dawn Of Thrash: Metallica, The Early Days
The greatest metal band in history started with the most controversial event in any metal caree...
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Tome On The Range
YAAAAAAAAS Jesus: An Interview With Brontez Purnell
Photo credit for author photo: Stephanie Lister How do you write about the pain of being alive ...
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Tome On The Range
Bloody Old Britain: An Interview With Jon Savage
All photos by Jon Savage There’s a contingent of people who came to a whole variety of twentiet...
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Tome On The Range
Burden Of Proofs: The Return Of Our Crime Fiction Column
It may surprise those who assume crime fiction has to follow strict genre rules, but crime writ...
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Tome On The Range
Prole Art Threat: Cynthia Cruz On The Melancholia Of Class
Melancholia of Class, the new book by Cynthia Cruz, is manifestly about class and class conflic...
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Tome On The Range
Everyone's Invited: Author Amber Medland On Toxic Masculinity
Emma Sulkowicz (centre-right) with Mattress Performance at her graduation, Columbia University, ...
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Tome On The Range
Love Letter To A Vanishing City: Willy Vlautin On The Night Always Comes
Photo by Dan Eccles Despite calling from his house in Oregon’s countryside, which he compares t...
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Tome On The Range
Scriber Optics: The Other Black Girl By Zakiya Dalila Harris
Photo: Nicole Mondestin Authenticity versus success? Exhilarating and unpredictable, The Other ...
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