Herzog's Fitzcarraldo
A Blockbuster Ambition
Tome On The Range
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Tome On The Range
The Foghorn's Lament: Extended Play
When you write a book about something you're obsessed with, your relationship with that thing, ...
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Tome On The Range
Trapped In The Overground: The Sickness Of The Music Industrialist
Cropped from 'Richey Edwards with Manic Street Preachers in Japan, circa 1991' Masao Nakagami. L...
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Tome On The Range
A Man Awake: On Georges Perec’s A Man Asleep
When I attempt to state what I have tried to do as a writer since I began, what occurs to me fi...
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Tome On The Range
That Wasn’t Right, Mark: When Fat White Family Met The Fall
The Landlord had been assuring me for some weeks that the solution to my Glastonbury 2015 dilem...
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Tome On The Range
Keeping Scores: Women Writing Music
Sinéad Gleeson. Photo by Brid O'Donovan In 2019 I met with Sinéad Gleeson ahead of her Edinburg...
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Tome On The Range
Lives Lost In Mending Gaps: Wayward By Vashti Bunyan
Lots Road by Robert Hewison Pop music doesn’t go in much for redemption as a rule, but Bunyan’s...
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Tome On The Range
Music Made Of Winter: An Interview With Michael Bracewell
In Souvenir, Michael Bracewell explores the street-level fantasies of role-play, time-travel, s...
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Tome On The Range
Dance Of Youth: Graeme Thomson's Book On Simple Minds
Photo by Bruce Findlay What to make of Simple Minds? Untrendy stadium fillers with a social con...
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Tome On The Range
Tower Of Song: Ryan O’Connor’s Playlist For The Voids
Ryan O'Connor © Stuart Platt My father, like the father of the unnamed narrator in The Voids, w...
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Tome On The Range
Burden of Proofs: New Crime Fiction For Spring 2022
Just like the rest of popular culture, crime fiction has its trends. Some rise and fall quickly...
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Atenção – Novos sons do Brasil
JOYFULTALK
Otoboke Beaver 
Shit and Shine
Organ Tapes 
Oh My Girl
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