A Quietus Interview:
Black Midi
Tome On The Range
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Tome On The Range
Welcome To Dystopia: Dorian Lynskey's 1984 Playlist
The ingenious hosts of the Yacht Rock podcast came up with “George Orwave” to describe the para...
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Tome On The Range
A Revolution In Sound: Inside The Polish Radio Experimental Studio
Bolesław Schaeffer’s graphic score for PR-I VIII, 1972. Collection of the Muzeum Sztuki in Łodź....
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Tome On The Range
Poisoned Pen: New Book By Lydia Lunch
Photo credit: Anders Thessing As writer and performer, No Wave icon Lydia Lunch has built a 40 ...
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Tome On The Range
A Guide To Listening Better: Spectres Of The GRM
Whether buzzing stridently outside your tent, or feasting contentedly on your flesh, a mosquito...
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Tome On The Range
READ: An Extract From Vivien Goldman's Revenge Of The She Punks
Vivien Goldman is in conversation at The Quietus Social on Wednesday 10 July MONEY: Are We Our...
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Tome On The Range
Books At Bedtime: Quietus Writers & Friends Reading For Pleasure
Image credit: Frances Castle, Claypipe Music Ed Dowie is reading Lint by Steve Aylett I almost...
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Tome On The Range
Heavenly Bodies: The Queer Time Of Lindsey Drager
Halley's comet glances upon the Earth once every seventy-five years, a celestial visitation whi...
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Tome On The Range
The News As A Novel: Lee Brackstone Remembers Gordon Burn
I should declare an interest. For ten years, I worked with Gordon Burn on a series of publicati...
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Tome On The Range
A Person Of Interest: Kevin Breathnach's Tunnel Vision
What have you missed out on? Blind spots, lacunae, field defects in your cultural attentiveness...
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Tome On The Range
Popular Front 2.0: An Interview With Paul Mason
“I’ve just started learning to play the bouzouki,” Paul Mason tells me as I start by explaining...
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