A Quietus Interview:
Black Midi
Tome On The Range
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Tome On The Range
Prole Art Threat: Cynthia Cruz On The Melancholia Of Class
Melancholia of Class, the new book by Cynthia Cruz, is manifestly about class and class conflic...
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Tome On The Range
Everyone's Invited: Author Amber Medland On Toxic Masculinity
Emma Sulkowicz (centre-right) with Mattress Performance at her graduation, Columbia University, ...
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Tome On The Range
Love Letter To A Vanishing City: Willy Vlautin On The Night Always Comes
Photo by Dan Eccles Despite calling from his house in Oregon’s countryside, which he compares t...
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Tome On The Range
Scriber Optics: The Other Black Girl By Zakiya Dalila Harris
Photo: Nicole Mondestin Authenticity versus success? Exhilarating and unpredictable, The Other ...
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Tome On The Range
Hajar Press: The Indie Publisher With Anti-Racism At Its Core
Hajar Press is the new house setting an exciting precedent for the future of print publishing. ...
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Tome On The Range
Home Sweet Home Counties: Will Burns' The Paper Lantern
All photos courtesy Will Burns That the Home Counties are frequently ignored in the English pol...
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Tome On The Range
Everything Was Dreadful And Then It Was Saved: Richard King Interviews Owen Hatherley
Birmingham Central Library. Photo by Owen Hatherley Owen Hatherley is a prolific journalist and...
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Tome On The Range
Notes On Everything: An Interview With Luke Kennard
Luke Kennard’s new poetry collection, Notes on the Sonnets, opens at a house party with a man c...
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Tome On The Range
Staying In For the Summer: How The New Acoustic Movement Helped Me Navigate My Teens
I can’t remember exactly when, but there was a moment when I realised much of the music I’d gro...
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Tome On The Range
Burden of Proofs: Our New Regular Crime Fiction Column
I expect you're wondering why we’ve gathered you here today... ...Welcome to what we’ve decide...
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Darkside 
The Goon Sax
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Stephen Fretwell
Asemix 
Joon
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