Albums Of The Year
The Best From 2019
The Lead Review
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The Lead Review
First True Love Affair: Autechre’s NTS Sessions
I’m relatively new to Autechre - it was well into the 2000s before I heard them. I’d be in frie...
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The Lead Review
Baby Wants To Ride: Gabe Gurnsey’s Physical
Listening to this album feels good, because it sounds good. It is squelchy and hard; it makes y...
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The Lead Review
Take Back Him Crown: Gaika's Basic Volume
Displacement. It’s an uneasy word that carries a lot of meanings: scientific, geographic, polit...
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Techno Of The Ancients: Capitol K’s Goatherder
GOATHERDER by Capitol K Caves hold a raw fascination - for most of us they represent a hunter-ga...
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The Personal & The Political: Lotic’s Power
Power by Lotic Recently I read an interview with Lotic where they describe being evicted from th...
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Shine Bright: Okzharp & Manthe Ribane’s Closer Apart
Closer Apart by Okzharp & Manthe Ribane It’s an indictment of our times that opting to be po...
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We Got This: Let’s Eat Grandma’s I’m All Ears
We’ve crash-landed into Cancer season - a time for ocean-deep creativity and acute emotion, aft...
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The Lead Review
Making Space: Kamasi Washington’s Heaven & Earth
Kamasi Washington’s journey to prominence has been an interesting one. His years of obscurity a...
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The Lead Review
Techno For An Answer: Blawan’s Wet Will Always Dry
For many electronic music producers, once you’ve finished toiling at a selection of tracks, the...
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The Lead Review
Wizard Kid: Gruff Rhys’s Babelsberg
Over the past 20 years or so, no single figure in British music has consistently afforded me mo...
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Poppy
Field Music 
Cybernetic Witch Cult
Georgia
WaqWaq Kingdom
Thirty Pounds of Bone & Philip Reeder
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