Do You Wanna Funk?
Paul Flynn On Hi-NRG
The Lead Review
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The Lead Review
Alien Materials: Lamin Fofana's Blues
Blues starts with eerie electronic chirps, the wash of water running in static disarray and a b...
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The Lead Review
Pick 'N' Mix: Luke Vibert Presents… Amen Andrews, Modern Rave, & Rave Hop
As Luke Vibert himself once said in an interview with Resident Advisor: “there’s a lot to be sa...
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The Lead Review
For The Other An Other: Nadine Shah's Kitchen Sink
Photo: Fraser Taylor On her fourth full length release, Nadine Shah engages with the gendered p...
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The Lead Review
Open Heart Surgery: Hidden In This Is The Light That You Miss By Regis
There is a cohort of up-and-coming music writers who were toddling around in preschool the last...
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The Lead Review
Real Estate Rock: Amnesia Scanner Seem Bored With Their Own Future
Photo by VIlle Kallio Amnesia Scanner describe themselves – straight-faced, apparently – as "ED...
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The Lead Review
Orcadian Rhythms: Erland Cooper's Hether Blether
credit: Alex Kozobolis One of the more memorable scenes from Joris-Karl Huysmans’ decadent, fin...
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The Lead Review
Everything Has An End: Aksak Maboul Sum Up With Figures
Aksak Maboul - credit Samuel Kirszenbaum Aksak Maboul were a Belgian avant-rock band formed in ...
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The Lead Review
Blazing Saddles: Perfume Genius Sets Our Hearts On Fire Immediately
(Photo Credit: Camille Vivier) If you’ve had the pleasure of seeing Perfume Genius live or watc...
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The Lead Review
Dangerous Visions: Type II By Sex Swing
The closing track off of London-based psych-noise rock band Sex Swing’s second full-length albu...
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The Lead Review
Mass Effects: On The New Soft Pink Truth Album
Photo by Josh Sisk I grew up in a faithful household, but my childhood was anything but stiflin...
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Princess Century
Ustad Saami
Tion Wayne
Richard Youngs
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