A Quietus Interview:
Black Midi
The Lead Review
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The Lead Review
Mass Effects: On The New Soft Pink Truth Album
Photo by Josh Sisk I grew up in a faithful household, but my childhood was anything but stiflin...
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The Lead Review
Supertoys Last All Summer Long: Lorenzo Senni's Scacco Matto
Photo: John Divola I’m of two minds about the new Lorenzo Senni album, and I’m giving it a marg...
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The Lead Review
Be Inside Your Mind: Shabazz Palaces’ The Don of Diamond Dreams
I’m staring at the album cover for The Don Of Diamond Dreams looking for clues. At first glance...
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The Lead Review
Where Is The Love? The Strokes’ The New Abnormal Reviewed
It is almost as if the universe has been playing a cruel trick on The Strokes and enacting a po...
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The Lead Review
Gospel For A New Century: The Sublime Distortion Of Yves Tumor
There’s an excerpt that Yves Tumor quotes on ‘Medicine Burn’, the second track on Heaven To A T...
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The Lead Review
Completely In The Present: The Future Blues Of Childish Gambino's 3.15.20
Photo Credit: Pavielle Garcia After 2018’s ferocious, uncompromising ‘This Is America’ became a...
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The Lead Review
Growing Chorus: Lyra Pramuk’s Fountain Reviewed
Our ears are broad, but they are not democratic. Although most people can hear frequencies on a...
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Uncommon Pleasures: New Horse Lords Reviewed
A couple of years ago, I could easily listen to long, challenging pieces of music. I could have...
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The Lead Review
I Think That's The Lot: Mark E Smith Signs Off On Jan St Werner's New Album
In his text The Weird and the Eerie, Mark Fisher found a profound confluence of the weird with ...
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The Lead Review
Energy Flash: Pulled By Magnets' Rose Golden Doorways
Drummer and bandleader Seb Rochford called time on his much-loved jazz group Polar Bear amid a ...
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Simon Goff
Gnod
Fatima Al Qadiri
Chris Corsano & Bill Orcutt
Edo Funk Explosion Volume 1
Thomas Ankersmit 
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