Moses Boyd:
Musical Inspirations
The Lead Review
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The Lead Review
Vulnerability Is Power – Little Simz' Grey Area Reviewed
Our twenties are an aching tug between adolescence and adulthood; a hard-to-define era with a m...
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The Lead Review
Ugly Songs For Ugly Times: Xiu Xiu's Girl With Basket Of Fruit
Girl with Basket of Fruit by Xiu Xiu Prolific and uncategorisable, Xiu Xiu are a group who zip a...
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This Ghostly Age: Teeth Of The Sea's Wraith Reviewed
WRAITH by Teeth Of The Sea The fifth album from genre-undermining outfit Teeth of the Sea is the...
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Party Politics: International Teachers Of Pop
front page photo: Duncan Stafford International Teachers of Pop is the project of Adrian Flana...
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The Lead Review
In The Nonspace Of The Mind: Lee Gamble’s In A Paraventral Scale
In A Paraventral Scale by Lee Gamble So much contemporary experimental music seeks to do the the...
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A New World Being Born – Third Noise Principle: Formative North American Electronica 1975-1984
Futurisk, with Jeremy Kolosine front right “It’s funny, looking back, how new it all seemed to ...
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Rhythms Is Gonna Get You: Nkisi’s 7 Directions
7 Directions (UIQLP002) by Nkisi 1 “There must be quite a few things a hot bath won't cure, but...
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Family Trio: Big Joanie’s Sistahs
The title is an affirmation of solidarity: black feminism channeled through guitar, bass and dr...
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The Lead Review
Bless My Homeland Forever: Laibach’s The Sound Of Music
In the sleevenotes to The Sound Of Music, their interpretations of songs from the 1965 musical,...
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The Lead Review
Strings Theory: Galya Bisengalieva’s EP One
The bowed lyre has been on my mind for the past few weeks, ever since I followed a sign on our ...
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