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The Lead Review
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The Lead Review
Branches Bloody Branches: Quadra By Sepultura
Photo credit: Marcos Hermes The modern Sepultura, having shed the idiosyncrasies of the Caveler...
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The Lead Review
Nimble Rhythms: Beatrice Dillon's Workaround
Photo: Nadine Fraczkowski Weave warp across the weft, angle around and through. With thin coppe...
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The Lead Review
Kitchen Sink Dramatist: Have We Met By Destroyer
After twenty-five years and thirteen albums, it finally feels like we’re becoming acquainted wi...
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The Lead Review
One More Time Without Feeling: The Pet Shop Boys' Hotspot
Photo credit: Phil Fisk The Pet Shop Boys have exited the United Kingdom. Hotspot, the duo’s th...
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The Lead Review
Mountains Collapsed Into Streams: Debris By Keeley Forsyth
Keeley Forsyth by Maria Alzamora At first, Keeley Forsyth’s voice is the only thing you can hea...
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The Lead Review
Rival Dreamer: Burial's Tunes, 2011 to 2019
In a 2007 article for The Wire, Mark Fisher wrote that Burial’s 2006 debut was “a vivid audio p...
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The Lead Review
Ritual Union: Whistling Arrow Feat. Laura Cannell & Charles Hayward
Whistling Arrow by Whistling Arrow In 2017 Laura Cannell, Andre Bosman, Charles Hayward and th...
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The Lead Review
Sketches In Eternity: Leonard Cohen’s Thanks For The Dance
In a 1992 interview with Paul Zollo, Leonard Cohen said: “Freedom and restriction are just luxu...
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The Lead Review
Weed & Beats: Giant Swan's Debut Album Reviewed
You might recognise the contours of the city that Giant Swan’s debut places you in. Like the fl...
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The Lead Review
The Heroine's Journey: Jane Weaver's Fenella Rekindles Old Myths
It is almost symptomatic, the subtle presence of a fairy godmother muse hovering over Jane Weav...
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