A Quietus Interview:
Annie
The Lead Review
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The Lead Review
Uncommon Pleasures: New Horse Lords Reviewed
A couple of years ago, I could easily listen to long, challenging pieces of music. I could have...
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The Lead Review
I Think That's The Lot: Mark E Smith Signs Off On Jan St Werner's New Album
In his text The Weird and the Eerie, Mark Fisher found a profound confluence of the weird with ...
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The Lead Review
Energy Flash: Pulled By Magnets' Rose Golden Doorways
Drummer and bandleader Seb Rochford called time on his much-loved jazz group Polar Bear amid a ...
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The Lead Review
Comrades In Arms: Sightless Pit's Grave Of A Dog
Photo by Jeffrey Beaulieu A state of shock will eventually wear off. Whether the trauma is pers...
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The Lead Review
Branches Bloody Branches: Quadra By Sepultura
Photo credit: Marcos Hermes The modern Sepultura, having shed the idiosyncrasies of the Caveler...
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The Lead Review
Nimble Rhythms: Beatrice Dillon's Workaround
Photo: Nadine Fraczkowski Weave warp across the weft, angle around and through. With thin coppe...
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The Lead Review
Kitchen Sink Dramatist: Have We Met By Destroyer
After twenty-five years and thirteen albums, it finally feels like we’re becoming acquainted wi...
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The Lead Review
One More Time Without Feeling: The Pet Shop Boys' Hotspot
Photo credit: Phil Fisk The Pet Shop Boys have exited the United Kingdom. Hotspot, the duo’s th...
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The Lead Review
Mountains Collapsed Into Streams: Debris By Keeley Forsyth
Keeley Forsyth by Maria Alzamora At first, Keeley Forsyth’s voice is the only thing you can hea...
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The Lead Review
Rival Dreamer: Burial's Tunes, 2011 to 2019
In a 2007 article for The Wire, Mark Fisher wrote that Burial’s 2006 debut was “a vivid audio p...
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Lice
Kacy & Clayton and Marlon Williams
Beautify Junkyards 
Mala Herba
Tom Furse
Carlton Melton
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