A Quietus Interview:
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The Lead Review
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The Lead Review
Voyage Of The Upsetter: Lee 'Scratch' Perry & On-U Sound Go To The Moon
Photo credit: Kishi Yamamoto Rainford by Lee "Scratch" Perry Lee ‘Scratch’ Perry is ...
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The Lead Review
Trouble Everyday: Sirens By Kevin Richard Martin
“There is a problem”. If you have sat in a hospital or Doctor's consulting room and heard these...
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The Lead Review
Books For Burning: Four Bibles By Hey Colossus
“Bands who stick with the same sound album after album are lying to you,” Hey Colossus bassist ...
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The Lead Review
A Greater Coming Together: Holly Herndon's Proto
Holly Herndon by Boris Camaca “Amidst a lot of misleading AI hype, it communicates something ho...
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A Better Tomorrow: Caterina Barbieri's Ecstatic Computation
Readers of a certain age might remember a computer game called Omikron: The Nomad Soul, which c...
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The Lead Review
Star Spangled Bangers: Big Wows By Stealing Sheep
The opening song ‘Show Love’ starts off the album with the sound of something being cracked ope...
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The Lead Review
Fat White Family Hit Paydirt: Serfs Up! Reviewed
There is no darkness like that of a bleak Yorkshire winter, days when the light barely rises an...
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The Lead Review
Masters Of The Ecstatic – Life Metal By Sunn O)))
I often think we've got Sunn O))) wrong. For all the talk of records about hidden civilisations...
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The Lead Review
How Do We Feel When We Feel Alive – Rose Elinor Dougall's A New Illusion
It’s that bass gliss at the front end, pulls you right in and you’re there, in its world, encas...
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The Lead Review
More Fire! The Comet Is Coming's Trust In The Lifeforce Of The Deep Mystery
Photo credit: Fabrice Bourgelle Shabaka Hutchings is the reigning king of British jazz. The ban...
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