A Quietus Interview:
Black Midi
The Lead Review
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The Lead Review
The Lead Review: Ed Power On Not Waving's Animals
In Stevie Smith's 'Not Waving But Drowning', a distressed swimmer cries for help but is b...
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The Lead Review
The Lead Review: Tristan Bath On Ulver's ATGCLVLSSCAP
With the exception of the late David Bowie, Ulver have to be the furthest wandering of mu...
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The Lead Review
The Lead Review: Luke Turner On Suede's Night Thoughts
For a band so resolutely showy as Suede, their decision to launch seventh album Night Tho...
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The Lead Review
The Lead Review: Lee Arizuno On Fat White Family's Songs For Our Mothers
No-one invited the Fat White Family. When 'Cream Of The Young' rose back in 2013 they ma...
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The Lead Review
The Lead Review: Jeremy Allen On David Bowie's ★
When the first 30-second teasers for ★ (Blackstar) arrived last October, I tried to put a...
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The Lead Review
The Lead Review: Kim Kelly On SunnO)))'s Kannon
SunnO))) have always been something of a quasi-religious band. The core duo – Stephen O'M...
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The Lead Review: Harry Sword On Broken English Club's Suburban Hunting
When I was 16, I had a job washing up in an industrial sized kitchen. I remember imaginin...
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The Lead Review
Anthony Child's Electronic Recordings From Maui Jungle Vol. 1
Let me remind you that Anthony Child released an album called Basictonalvocabulary way ba...
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The Lead Review
The Lead Review: Oneohtrix Point Never's Garden Of Delete
There is a particular cycle of mistaken identity films produced in Hollywood during the 1...
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The Lead Review
The Lead Review: Mike Diver On Teeth Of The Sea's Highly Deadly Black Tarantula
Fierce. That was the first word that came to mind on hearing London foursome Teeth Of The...
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Squid 
Sheep, Dog & Wolf
Khalab & M’berra Ensemble
Yukika
Glüme
For Those I Love
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