Reviews

Opinionated and informative criticism of all the music that counts

Red Mar
Our Low Cell

Impressive debut from UK post-rock quintet throws everything at the wall, then smashes the wall into little bits and throws that, too

Reviews

Andy Bell
Ten Crowns

Erasure singer heads to Nashville, belts out a suite of ten big pop anthems seasoned with a healthy dash of club music, gospel and Debbie Harry

Reviews

Mclusky
The world is still here and so are we

Two decades since their last album, the Welsh post-hardcore group return with jagged riffs and irreverent song titles still firmly in place, finds Oliver Cookson

Reviews

Das Kinn
Ruinenkampf

Frankfurt's former geriatric nurse imagines The Strangers discovering EBM on experimental Hamburg label Bureau B

Reviews

Staraya Derevnya
Garden window escape

Psychedelic septet tread the line between motorik groove and full-blown freak-out, finds Rosie Solomon

Reviews

elijah jamal asani
,,, as long as i long to memorise your sky ,,,

Beautiful, sparse lowercase music recorded at the bottom of the Grand Canyon

Reviews

Deerhoof
Noble And Godlike In Ruin

On their nineteenth album, the San Francisco quartet show no signs of letting up their brutal assault on pop music conventions

Reviews

The Orchestra of Futurist Noise Intoners
Plays music by Mariam Gviniashvili, Aleksandra Słyż, Gerard Lebik, Luigi Russolo, John Hegre

Recreating the bizarre instrumentarium of Futurist artist Luigi Russolo, Luciano Chessa and his orchestra play new music by Mariam Gviniashvili, Aleksandra Słyż, and others

Reviews

Hieroglyphic Being
Dance Music 4 Bad People

Jamal Moss reclaims club music for the cause of collective ecstasy and speculative weirdness

Reviews

Lucy Railton
Blue Veil

For her first album playing cello alone without electronics, the Berlin-based composer-performer pushes the instrument's overtones to a fever pitch, finds Levi Dayan

Reviews

Gryphon Rue
I Keep My Diamond Necklace In A Pond Of Sparkling Water

Gryphon Rue’s new LP creaks and grumbles and hums with subterranean and oceanic immensity, singing in voices both animal and botanical, says Bernie Brooks

Reviews

Maria Somerville
Luster

Moving back to Ireland's Atlantic coast and signing to 4AD, Maria Somerville makes dreamy shoegazing pop with a little help from Lankum's Ian Lynch and Margie Jean Lewis

Reviews

Emma-Jean Thackray
Weirdo

The genre-busting iconoclast makes a fearless leap forward on her life-saving second album

Reviews

Sumac & Moor Mother
The Film

The Philadelphian poet-musician-activist joins up with the North American power trio for a full-on free metal apocalypse

Reviews

Anika
Abyss

Sanding off the sharp electronic edges in favour of a more raw, live, analogue sound, Anika may have just produced the cyberpunk Let England Shake, finds Hayley Scott

Reviews

DUCKWRTH
All American Fuckboy

Even the presence of actor LaKeith Stanfield fails to lift this narrative of lust and redemption to the epic proportions of its own ambitions, finds Eden Tizard

Reviews

Ibex Band
Stereo Instrumental Music

Recorded at the Ras Hotel ballroom in Addis Ababa in 1976, Stereo Instrumental Music presents a unique document of the vibrant Ethiopian music scene of the 1970s

Reviews

Keeley Forsyth & Matthew Bourne
Hand To Mouth

Experimental and minimalist music where chilly first impressions prove to be deceptive

Reviews

Tapeworms
Grand Voyage

Effervescent French trio find their sweet-toothed groove on synth-heavy second album

Reviews

Raven Chacon
Voiceless Mass

The Milwaukee-based group Present Music draw out the composer’s poetry of sound, space and silence

Reviews

Quade
The Foel Tower

Bristol-based post-rock quartet summon the particular landscape of western Britain, finds Cal Cashin

Reviews

Bb trickz
80’z

At barely twelve minutes long, the twenty-four year-old Spanish rapper's latest eight-song suite may be the shortest album we've ever reviewed – and certainly one of the most addictive

Reviews

Members of The Black Angels, Trentemøller, Golden Dawn Arkestra, Elephant Stone and The Earlies come together to make a joyful noise – just don't call them a 'psych supergroup', finds Kate French-Morris

Reviews

Golem Mecanique
Siamo Tutti In Percolo

Karen Jebane's mechanised hurdy-gurdy provides the doleful backdrop to this tribute the late Pier Paolo Pasolini

Reviews

Hawkwind
There Is No Space For Us

With their banks of synths and the addition of Thighpaulsandra, Jeremy Allen makes the case for the English space rock band's late period

Reviews

Pidgins
Refrains Of The Day, Volume 2

Mexico City’s Aaron With and Milo Tamez reverse Jon Hassell’s colonial gaze, creating a thrilling Fourth World music from below

Reviews

Arthur Russell
Open Vocal Phrases Where Songs Come In And Out

A live recording of Arthur Russell playing cello and singing in 1985 offers a tantalising peak at the gestation of the classic World of Echo

Reviews

Lost Crowns
The Heart is in the Body

Six years in the making, Lost Crowns’ second album is a stunning feat of complex composition that takes their prog folk sound into bold new territory, finds Sean Kitching

Reviews

Lullahush
Ithaca

Traditional Irish music gets switched on, comes out sounding thrillingly new, finds Tom Bolton

Reviews

Real Lies
We Will Annihilate Our Enemies

The electronic duo go big on what may be their most accomplished album to date, finds Lina Adams

Reviews

Halvcirkel & Anders Lauge Meldgaard
Spirit

In this new collaboration between the Danish composer and string trio, Vanessa Ague hears a deep wellspring of joy bubbling beneath the richly textured surface

Reviews

Croation Amor & Lust For Youth
All Worlds

A surprisingly joyous club nugget from the smartly-dressed Danes

Reviews

Penelope Trappes
A Requiem

Anchored by smoke and dissonance, latest from the Brighton-based Australian vocalist, producer, and multi-instrumentalist sounds like seaweed drifting in a current to Amanda Farah

Page / 168 Next

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Red Mar Our Low Cell

Andy Bell Ten Crowns

Mclusky The world is still here and so are we

Das Kinn Ruinenkampf

Staraya Derevnya Garden window escape

elijah jamal asani ,,, as long as i long to memorise your sky ,,,

Deerhoof Noble And Godlike In Ruin

The Orchestra of Futurist Noise Intoners Plays music by Mariam Gviniashvili, Aleksandra Słyż, Gerard Lebik, Luigi Russolo, John Hegre

Hieroglyphic Being Dance Music 4 Bad People

Lucy Railton Blue Veil

Gryphon Rue I Keep My Diamond Necklace In A Pond Of Sparkling Water

Maria Somerville Luster

Emma-Jean Thackray Weirdo

Sumac & Moor Mother The Film

Anika Abyss

DUCKWRTH All American Fuckboy

Ibex Band Stereo Instrumental Music

Keeley Forsyth & Matthew Bourne Hand To Mouth

Tapeworms Grand Voyage

Raven Chacon Voiceless Mass

Quade The Foel Tower

Bb trickz 80’z

MIEN MIIEN

Golem Mecanique Siamo Tutti In Percolo

Hawkwind There Is No Space For Us

Pidgins Refrains Of The Day, Volume 2

Arthur Russell Open Vocal Phrases Where Songs Come In And Out

Lost Crowns The Heart is in the Body

Lullahush Ithaca

Real Lies We Will Annihilate Our Enemies

Halvcirkel & Anders Lauge Meldgaard Spirit

Croation Amor & Lust For Youth All Worlds

Penelope Trappes A Requiem

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The Quietus Digest

Red Mar
Our Low Cell

Andy Bell
Ten Crowns

Mclusky
The world is still here and so are we

Das Kinn
Ruinenkampf

Staraya Derevnya
Garden window escape

elijah jamal asani
,,, as long as i long to memorise your sky ,,,

Deerhoof
Noble And Godlike In Ruin

The Orchestra of Futurist Noise Intoners
Plays music by Mariam Gviniashvili, Aleksandra Słyż, Gerard Lebik, Luigi Russolo, John Hegre

Hieroglyphic Being
Dance Music 4 Bad People

Lucy Railton
Blue Veil

Gryphon Rue
I Keep My Diamond Necklace In A Pond Of Sparkling Water

Maria Somerville
Luster

Emma-Jean Thackray
Weirdo

Sumac & Moor Mother
The Film

Anika
Abyss

DUCKWRTH
All American Fuckboy

Ibex Band
Stereo Instrumental Music

Keeley Forsyth & Matthew Bourne
Hand To Mouth

Tapeworms
Grand Voyage

Raven Chacon
Voiceless Mass

Quade
The Foel Tower

Bb trickz
80’z

MIEN
MIIEN

Golem Mecanique
Siamo Tutti In Percolo

Hawkwind
There Is No Space For Us

Pidgins
Refrains Of The Day, Volume 2

Arthur Russell
Open Vocal Phrases Where Songs Come In And Out

Lost Crowns
The Heart is in the Body

Lullahush
Ithaca

Real Lies
We Will Annihilate Our Enemies

Halvcirkel & Anders Lauge Meldgaard
Spirit

Croation Amor & Lust For Youth
All Worlds

Penelope Trappes
A Requiem