A Quietus Interview:
Black Midi
The Lead Review
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The Lead Review
Richie Troughton On Noura Mint Seymali’s Arbina And Interview
The ‘father of modern optics,’ 11th-century scientist Al-Hasan Ibn al-Haytham (Alhazen), was q...
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Lead Review: Ben Cardew On Zomby's Ultra
Pop music has long been a tug of war between spontaneity and toil: for every hit single penned ...
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Lead Review: Tara Joshi On Frank Ocean's Blond[e]
Let’s talk about the conflicting notion of “being present”. We live in an age where every...
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Lead Review: Mollie Zhang On Factory Floor's 25 25
Crawling towards you, advancing slowly before eventually seizing you by the collar and giving y...
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Lead Review: Wyndham Wallace On Marconi Union's Ghost Stations
The noise just gets louder every day: the wailing of those seeking refuge from conflict and the...
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Ben Cardew On Hieroglyphic Being's The Disco's Of Imhotep
Poke around the outer limits of the more colourful music festivals and you will often find some...
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Lead Review: Christian Eede On Flowdan's Disaster Piece
While a number of his peers as an original member of Roll Deep - namely Dizzee Rascal, Wi...
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Lead Review: Tristan Bath On JK Flesh's Rise Above
In every sense of the word, the sheer volume of Justin Broadrick’s music continues to be stagge...
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Lead Review: Amy Pettifer On Bat For Lashes' The Bride
The Bride A marriage ceremony is the performative utterance to end them all. Words become actions, promis...
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Lead Review: Lauretta Charlton On Blood Orange's Freetown Sound
When I was a kid growing up in California, I liked bands like The Cure, The Smiths, and Catheri...
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