Moses Boyd:
Musical Inspirations
The Lead Review
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The Lead Review
The Lead Review: Tristan Bath On Stara Rzeka's Zamknęły się oczy ziemi
"I prefer the mystic clouds of nostalgia to the real thing, to be honest." Robert Wyatt (...
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The Lead Review
The Lead Review: Noel Gardner On Hey Colossus' Radio Static High
If this review made a point of praising Hey Colossus for embarking on their own stylistic...
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The Lead Review: Mick Middles On New Order's Music Complete
Music Complete? One hesitates to pass comment on a title that, given the thunderous acrim...
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The Lead Review
The Lead Review: Rory Gibb On King Midas Sound & Fennesz's Edition 1
By lucky coincidence, as I sit down to write this review I'm midway through reading a colle...
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The Lead Review
The Lead Review: Luke Turner On Carter Tutti Void's f (x)
Like "pop-up" shops, cafés and boutiques that have a distinctly permanent air, "immersive...
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The Lead Review
The Lead Review: Russell Cuzner On Thighpaulsandra's The Golden Communion
"…it bristles with wonderfully singable tunes. It entertains. It communicates instantly, ...
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The Lead Review
The Lead Review: Laurie Tuffrey On Foals' What Went Down
There's a moment in A Death In The Family, the first volume of Karl Ove Knausgaard's some...
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The Lead Review
The Lead Review: John Doran On AFX's Orphaned Deejay Selek 2006 - 2008
England's iron core rings out to the pulse of AFX. The music Richard D. James makes is as...
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Military Genius
Daniel Davies
Thammudu & Mishti
Wackelkontakt
Vladislav Delay
Caribou
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