Sexy Beast:
A Surrealist Classic
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The Lead Review
The Lead Review: Mike Diver On Teeth Of The Sea's Highly Deadly Black Tarantula
Fierce. That was the first word that came to mind on hearing London foursome Teeth Of The...
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The Lead Review: Josh Gray On Roots Manuva's Bleeds
The term 'messianic' is bandied about a lot these days (indeed the phrase 'bandied around...
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The Lead Review: Mat Colegate On MY DISCO's Severe
One of the more under-analysed aspects of the psychedelic experience is its stillness. Fo...
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The Lead Review: Rory Gibb On Joanna Newsom's Divers
"Stand brave life-liver, living out your days in the river of time," Joanna Newsom sings on...
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The Lead Review: Tristan Bath On Stara Rzeka's Zamknęły się oczy ziemi
"I prefer the mystic clouds of nostalgia to the real thing, to be honest." Robert Wyatt (...
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The Lead Review: Noel Gardner On Hey Colossus' Radio Static High
If this review made a point of praising Hey Colossus for embarking on their own stylistic...
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The Lead Review: Mick Middles On New Order's Music Complete
Music Complete? One hesitates to pass comment on a title that, given the thunderous acrim...
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The Lead Review: Rory Gibb On King Midas Sound & Fennesz's Edition 1
By lucky coincidence, as I sit down to write this review I'm midway through reading a colle...
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The Lead Review: Luke Turner On Carter Tutti Void's f (x)
Like "pop-up" shops, cafés and boutiques that have a distinctly permanent air, "immersive...
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The Lead Review: Russell Cuzner On Thighpaulsandra's The Golden Communion
"…it bristles with wonderfully singable tunes. It entertains. It communicates instantly, ...
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SLOW DANCE '19
Lonker See
Waterless Hills
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