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The Lead Review
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The Lead Review
Tunnel Visionaries: In Blue By The Bug & Dis Fig
The year 2020 has been an intense, paradigm-shifting lesson in many things, not least our relat...
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The Lead Review
The Dada Man: Cabaret Voltaire Return With Shadow Of Fear
All the conditions have been met for Cabaret Voltaire’s return now that the dystopian future we...
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The Lead Review
Eldritch Infinity War: Energy Is Forever By UKAEA
Dig if you will a quote Tweet: one compound word from our fearless co-captain @jahduran accompa...
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The Lead Review
A Little Bungle Grind: The Return Of The Raging Wrath Of The Easter Bunny Demo
The Raging Wrath of the Easter Bunny Demo has led a charmed life. Recorded originally in 1985 b...
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The Lead Review
Angels & Demons At Play: Swirling By The Sun Ra Arkestra
When pianist, composer, bandleader, proto-Afrofuturist, and philosopher, Herman “Sonny” Blount ...
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The Lead Review
The World, The Flesh, And The Dancefloor: Karma And Desire By Actress
Actress has been something of a force of nature within electronic music and club culture. His l...
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The Lead Review
Human Music: SIGN By Autechre Reviewed
SIGN begins with the revving of a motorcycle engine. Okay, so it’s probably not an actual moto...
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The Lead Review
Raags Against The Machine: Pakistan Is For The Peaceful By Ustad Saami
Photo by Marilena Umuhoza Delli While only heard on a recording for the first time last year, t...
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The Lead Review
Break It Down: Rian Treanor's File Under UK Metaplasm
During lockdown in the Netherlands, with nothing much else to do, I ritually tuned into the art...
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The Lead Review
Tender Cyborg: Bid Farewell To The Flesh With Róisín Machine
We are standing in the future, and also in the past — or maybe in no time at all. A sensual, lo...
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Jane Weaver
Do You Have the Force? Jon Savage’s Alternate History of Electronic Music, 1978–82
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