A Quietus Interview:
Black Midi
The Lead Review
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The Lead Review
Memes To An End: Oli XL’s Anxious Electronica
The Scandinavian internet music scene is thriving right now. From Varg’s tour de force on Posh ...
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The Lead Review
Into The Nerve Ganglion: Mark Fisher & Justin Barton On Vanishing Land
“It is April, but it feels like summer,” is the opening sentiment of On Vanishing Land, with wh...
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That Which Cannot Be Said: Caligula By Lingua Ignota
Hildegard of Bingen was only three when the visions started. It would be another two years befo...
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The Lead Review
The Horror Of Folk: Bobby Krlic's Midsommar Score
Credit: Corinne Schiavone If you’ve ever listened to a Haxan Cloak album you won’t be at all su...
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Deep Time: The Shifting Force Fields Of Ellen Arkbro's CHORDS
CHORDS by Ellen Arkbro Near where I live there is a circular path around a riverbank that I wa...
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Boom Boom Boom (Way-Ooh): Schlagenheim by Black Midi
credit: Anthrox Studios At the very end of Masahiko Satoh & Sound Breakers’ 1971 record Ama...
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Prince In A Camisole: Undressing The ‘Originals’ Album
“Vanity! Vanity!” Sixth months after Prince’s accidental overdose, a singer in a raspberry red...
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Lonesome Valley High: Bill Callahan's Shepherd In A Sheepskin Vest
“I’m crawling through the desert/Without water or love”. So goes ‘The Desert’ by Smog, Bill Cal...
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The Lead Review
Fantastic Planet: Vanishing Twin And The Age Of Immunology
Almost a year ago, Vanishing Twin released a cassette called Magic & Machines, a set of spa...
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The Lead Review
Voyage Of The Upsetter: Lee 'Scratch' Perry & On-U Sound Go To The Moon
Photo credit: Kishi Yamamoto Rainford by Lee "Scratch" Perry Lee ‘Scratch’ Perry is ...
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Hurtling
Ana Roxanne 
Slaylor Moon
Kim Gordon
Richard Dawson
Various
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