A Quietus Interview:
Black Midi
The Lead Review
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The Lead Review
Fuzzy Logic: A Softer Focus By Claire Rousay
Photo: Dani Toral A snowdrift of long, languorous organ notes. Whistling tones, like swallows a...
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The Lead Review
Steamed & (Im)Pressed: New Long Leg By Dry Cleaning
Photo by Steve Gullick A couple of months ago during a bout of lockdown malaise, I was in my mu...
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The Lead Review
The Mark Of Infinity: Tomaga's Intimate Immensity
Tomaga, the improv rock duo of Valentina Magaletti and Tom Relleen, had felt like home for the ...
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The Lead Review
Anime Mundi: Meemo Comma's Neon Genesis: Soul Into Matter²
Photo by Ken Street Featuring the writing of Neil Gaiman and Rachel Pollack, People of the Book...
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The Lead Review
Life As We Know It: As Days Get Dark By Arab Strap
Photo by Kat Gollock First off, I've been a fan of Arab Strap for ages. Literally decades. Let'...
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The Lead Review
All The Right Moves: A Thrilling Debut From Nuha Ruby Ra
For Nuha Ruby Ra, breaking norms is a way to move forward. To transgress and to progress. Resis...
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The Lead Review
The Magic Of Stereolab: Electrically Possessed Reviewed
Photo by David Cowland The year is 1999. Teen pop stars Britney Spears and Christina Aguilera r...
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The Lead Review
Doom By Other Means: Alkisah By Senyawa
Photo: courtesy Phantom Limb Senyawa's chaotic approach to experimental music owes a lot to the...
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The Lead Review
California Dreams: Pauline Anna Strom's Angel Tears In Sunlight
Pauline Anna Strom (1946–2020) – visionary synthesist, composer and spiritualist. Born blind, s...
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The Lead Review
Plague Island's Youth Division: For The First Time By Black Country, New Road
First impressions are seldom wrong. And when I saw Black Country, New Road for the first time, ...
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The Catenary Wires 
Kevin Richard Martin
Manni Dee
Backxwash 
Tomorrow x Together
Sunroof
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