The Quietus | Features | The Lead Review

The Lead Review

The Lead Review
Danny Riley On Richard Dawson's Peasant
Richard Dawson has said that he really believes in Peasant, his first new album since 201...
5 comments Read »
The Lead Review
Julian Marszalek On Jane Weaver's Modern Kosmology
One suspects that no one was more surprised at the success of The Silver Globe than Jane ...
3 comments Read »
The Lead Review
Mat Colegate On Man Forever's Play What They Want
Man Forever's Play What They Want is undeniably a New York record. As big apple juicy as the pa...
0 comments Read »
The Lead Review
Bob Cluness On Perc's Bitter Music
That is why we are developing and proclaiming a great new idea that runs through modern life: t...
1 comment Read »
The Lead Review
Karl Smith On Ryuichi Sakamoto's async
Enshrined in publicity materials and regurgitated ad infinitum by the music press, by thi...
0 comments Read »
The Lead Review
Alex Macpherson On Kendrick Lamar's DAMN.
For a word with a multiplicity of meanings and connotations, there aren't many layers to ...
5 comments Read »
The Lead Review
Christian Eede On Actress' AZD
Three years ago, Darren Cunningham, better known as Actress, released his fourth album. G...
5 comments Read »
The Lead Review
Aurora Mitchell On Pharmakon's Contact
Breathe in, breathe out. Breathe in, breathe out. Sharp inhales of breath increase in p...
7 comments Read »
The Lead Review
Lottie Brazier On Gnod's Just Say No...
In December last year, a video went viral of trainee producer Nobuo Kawakami presenting a...
4 comments Read »
The Lead Review
Brian Coney On The Moonlandingz' Interplanetary Class Classics
A self-proclaimed "celebration of the outsider, the depressed, the sexually inept, the di...
10 comments Read »

« Previous | 1 | 2 | ... | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | ... | 25 | 26 | Next »