A Quietus Interview:
Black Midi
The Lead Review
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The Lead Review
The Lead Review: Luke Turner On Suede's Night Thoughts
For a band so resolutely showy as Suede, their decision to launch seventh album Night Tho...
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The Lead Review
The Lead Review: Lee Arizuno On Fat White Family's Songs For Our Mothers
No-one invited the Fat White Family. When 'Cream Of The Young' rose back in 2013 they ma...
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The Lead Review
The Lead Review: Jeremy Allen On David Bowie's ★
When the first 30-second teasers for ★ (Blackstar) arrived last October, I tried to put a...
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The Lead Review
The Lead Review: Kim Kelly On SunnO)))'s Kannon
SunnO))) have always been something of a quasi-religious band. The core duo – Stephen O'M...
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The Lead Review
The Lead Review: Harry Sword On Broken English Club's Suburban Hunting
When I was 16, I had a job washing up in an industrial sized kitchen. I remember imaginin...
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The Lead Review
Anthony Child's Electronic Recordings From Maui Jungle Vol. 1
Let me remind you that Anthony Child released an album called Basictonalvocabulary way ba...
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The Lead Review
The Lead Review: Oneohtrix Point Never's Garden Of Delete
There is a particular cycle of mistaken identity films produced in Hollywood during the 1...
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The Lead Review
The Lead Review: Mike Diver On Teeth Of The Sea's Highly Deadly Black Tarantula
Fierce. That was the first word that came to mind on hearing London foursome Teeth Of The...
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The Lead Review
The Lead Review: Josh Gray On Roots Manuva's Bleeds
The term 'messianic' is bandied about a lot these days (indeed the phrase 'bandied around...
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The Lead Review
The Lead Review: Mat Colegate On MY DISCO's Severe
One of the more under-analysed aspects of the psychedelic experience is its stillness. Fo...
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Hurtling
Ana Roxanne 
Slaylor Moon
Kim Gordon
Richard Dawson
Various
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