A Quietus Interview:
Black Midi
The Lead Review
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The Lead Review
The Lead Review: Mick Middles On Gnod's Mirror
Formed in 2007, as more of an arts collective than a band, Gnod managed to add true innov...
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The Lead Review: Ed Power On Nisennenmondai's #N/A
One of the earliest documented investigations of boredom as psychological phenomenon was ...
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The Lead Review: Mat Colegate On The Body's No One Deserves Happiness
Over the last few years a peculiarly pessimistic strain has been creeping into certain ar...
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The Lead Review: Tristan Bath On Billy Bao's The Lagos Sessions
The population of Nigeria's biggest city Lagos has recently been measured at over 20 mill...
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The Lead Review: Rory Gibb On Fatima Al Qadiri's Brute
Some of the main themes informing Hyperdub, from its early years as a web magazine into i...
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The Lead Review: Leo Chadburn On Matmos' Ultimate Care II
There's a 1990 short film, of the kind that Channel 4 used to have the creative audacity ...
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The Lead Review: Lee Arizuno On Animal Collective's Painting With
There was once a time when a new Animal Collective album was something to look forward to...
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The Lead Review: Noel Gardner On Årabrot's The Gospel
A shock-and-awe surprise that was destined to happen all along? It sounds like an intenti...
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The Lead Review: Ed Power On Not Waving's Animals
In Stevie Smith's 'Not Waving But Drowning', a distressed swimmer cries for help but is b...
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The Lead Review: Tristan Bath On Ulver's ATGCLVLSSCAP
With the exception of the late David Bowie, Ulver have to be the furthest wandering of mu...
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Hurtling
Ana Roxanne 
Slaylor Moon
Kim Gordon
Richard Dawson
Various
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