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The Lead Review
The Lead Review: Leo Chadburn On Matmos' Ultimate Care II
There's a 1990 short film, of the kind that Channel 4 used to have the creative audacity ...
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The Lead Review: Lee Arizuno On Animal Collective's Painting With
There was once a time when a new Animal Collective album was something to look forward to...
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The Lead Review: Noel Gardner On Årabrot's The Gospel
A shock-and-awe surprise that was destined to happen all along? It sounds like an intenti...
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The Lead Review: Ed Power On Not Waving's Animals
In Stevie Smith's 'Not Waving But Drowning', a distressed swimmer cries for help but is b...
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The Lead Review: Tristan Bath On Ulver's ATGCLVLSSCAP
With the exception of the late David Bowie, Ulver have to be the furthest wandering of mu...
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The Lead Review: Luke Turner On Suede's Night Thoughts
For a band so resolutely showy as Suede, their decision to launch seventh album Night Tho...
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The Lead Review: Lee Arizuno On Fat White Family's Songs For Our Mothers
No-one invited the Fat White Family. When 'Cream Of The Young' rose back in 2013 they ma...
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The Lead Review: Jeremy Allen On David Bowie's ★
When the first 30-second teasers for ★ (Blackstar) arrived last October, I tried to put a...
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The Lead Review: Kim Kelly On SunnO)))'s Kannon
SunnO))) have always been something of a quasi-religious band. The core duo – Stephen O'M...
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The Lead Review: Harry Sword On Broken English Club's Suburban Hunting
When I was 16, I had a job washing up in an industrial sized kitchen. I remember imaginin...
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