A Quietus Interview:
Annie
The Lead Review
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The Lead Review
Chip Thrills: Diggin’ In The Carts Reviewed
The genesis of Diggin' In The Carts: A Collection Of Pioneering Japanese Video Game Music...
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The Lead Review
Beyond Existential Dread: Electric Wizard’s Wizard Bloody Wizard
One of the things that stands out when revisiting Black Sabbath records is just how relat...
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The Lead Review
Communion: James Holden & The Animal Spirits’ The Animal Spirits
You can tumble and fly right through this album, from beginning to end, without stopping....
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The Lead Review
Full Of Promise And Cum: Baxter Dury’s Prince Of Tears
Baxter Dury’s new album sounds like a midlife crisis. A glorious, fucked-up, Maserati-dri...
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The Lead Review
Alive Beyond Time: Laura Cannell's Hunter Huntress Hawker Reviewed
From its brass-jangling, hoof-clattering opening seconds, Laura Cannell’s new album is do...
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The Lead Review
What Goes Around: Zimpel/Ziołek's Zimpel/Ziołek Reviewed
When two of the Polish underground’s leading lights crossed paths, the decision to make m...
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The Lead Review
The Performance Of A Lifetime: The Granite Shore's Suspended Second
This is a pop record, and defiantly so, although at first glance it may not look like one...
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The Lead Review
Resistance Is Fertile: Snapped Ankles' Come Play The Trees
In trying times, resistance and resilience are born from the undergrowth of artistic communitie...
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The Lead Review
Let's Leave This Ordinary World Now: The Horrors' V
There's something visceral in this new album from The Horrors, a working-out of one's place - p...
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The Lead Review
Voyaging Further Outwards: Re-TROS' Before The Applause
BEFORE THE APPLAUSE by Re-TROS Rebuilding The Rights Of Statues, better known as Re-TROS, were f...
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Urban Village
Still Corners
Divide And Dissolve
Francisco Mela
HHY & The Kampala Unit
(G)I-DLE
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