A Quietus Interview:
Annie
The Lead Review
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The Lead Review
Beguile, Seduce, Transport: Eric Chenaux’s Slowly Paradise
Experimentation in music is often thought to be somehow the reserve of an elite, unattainable t...
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The Time Is Kernow: Gwenno’s Le Kov
Each language holds the roots of a culture, contains an entire conceptual universe. And, of the...
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Uneasy Does It: Insecure Men Reviewed
“There’s something creepy about British light entertainment and there always has been. Joe Orto...
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Lost In The Flood: Laurie Anderson & Kronos Quartet’s Landfall
“October 2012. The river had been rising all day, and the hurricane was coming up slowly from t...
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Insight Specific: Bas Jan’s Yes I Jan
Yes I Jan Yes I Jan by Bas Jan This album starts like a sparkling groggy morning, like a pleasant hangover...
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Reach & Rootedness: Steve Reich’s Pulse/Quartet
Steve Reich turned 80 in 2016, and continues to be both prolific and high-profile, producing at...
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Congregations & Revelations: Salm Vol One
The Back Free Church is an austere, harl-walled building on the wild, beautiful coast of northw...
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These Hymns Of Decimation: Watain’s Trident Wolf Eclipse
In a world narrated by internet memes, there is that one with Robin from the 1965 Batman comic,...
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Year Of The Projectile Reptile: King Gizzard & The Lizard Wizard’s Polygondwanaland & More
Polygondwanaland by King Gizzard & The Lizard Wizard It’s difficult to think of anybod...
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In Love, With Love: Björk’s Utopia
“You shouldn’t let poets lie to you,” Björk concludes, in a Sugarcubes interview from 198...
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HHY & The Kampala Unit
(G)I-DLE
Shame
Haroon Mirza / Jack Jelfs
Lice
Kacy & Clayton and Marlon Williams
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