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The Lead Review

The Lead Review
Karl Smith On Ryuichi Sakamoto's async
Enshrined in publicity materials and regurgitated ad infinitum by the music press, by thi...
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The Lead Review
Alex Macpherson On Kendrick Lamar's DAMN.
For a word with a multiplicity of meanings and connotations, there aren't many layers to ...
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The Lead Review
Christian Eede On Actress' AZD
Three years ago, Darren Cunningham, better known as Actress, released his fourth album. G...
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The Lead Review
Aurora Mitchell On Pharmakon's Contact
Breathe in, breathe out. Breathe in, breathe out. Sharp inhales of breath increase in p...
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The Lead Review
Lottie Brazier On Gnod's Just Say No...
In December last year, a video went viral of trainee producer Nobuo Kawakami presenting a...
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The Lead Review
Brian Coney On The Moonlandingz' Interplanetary Class Classics
A self-proclaimed "celebration of the outsider, the depressed, the sexually inept, the di...
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The Lead Review
JR Moores On Gnoomes' TSCHAK!
Once a successful chick-lit author, briefly a Tory MP and perhaps best known for her incessant ...
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The Lead Review
Josh Gray On Sleaford Mods' English Tapas
Unless you’ve been buried under 15 feet of dirt with a stake driven through your heart fo...
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The Lead Review
Ben Cardew On Aleksi Perälä’s Colundi Sequence Vol. 2
Aleksi Perälä’s Colundi Sequence Volume 1 wasn't just one of the most weirdly beautiful r...
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The Lead Review
Karl Smith On Mind Over Mirrors' Undying Color
Mythology is important, and historically has always been so – acting as a crutch for mank...
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