Moses Boyd:
Musical Inspirations
The Lead Review
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The Lead Review
Year Of The Projectile Reptile: King Gizzard & The Lizard Wizard’s Polygondwanaland & More
Polygondwanaland by King Gizzard & The Lizard Wizard It’s difficult to think of anybod...
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The Lead Review
In Love, With Love: Björk’s Utopia
“You shouldn’t let poets lie to you,” Björk concludes, in a Sugarcubes interview from 198...
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The Lead Review
Chip Thrills: Diggin’ In The Carts Reviewed
The genesis of Diggin' In The Carts: A Collection Of Pioneering Japanese Video Game Music...
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The Lead Review
Beyond Existential Dread: Electric Wizard’s Wizard Bloody Wizard
One of the things that stands out when revisiting Black Sabbath records is just how relat...
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The Lead Review
Communion: James Holden & The Animal Spirits’ The Animal Spirits
You can tumble and fly right through this album, from beginning to end, without stopping....
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The Lead Review
Full Of Promise And Cum: Baxter Dury’s Prince Of Tears
Baxter Dury’s new album sounds like a midlife crisis. A glorious, fucked-up, Maserati-dri...
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The Lead Review
Alive Beyond Time: Laura Cannell's Hunter Huntress Hawker Reviewed
From its brass-jangling, hoof-clattering opening seconds, Laura Cannell’s new album is do...
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The Lead Review
What Goes Around: Zimpel/Ziołek's Zimpel/Ziołek Reviewed
When two of the Polish underground’s leading lights crossed paths, the decision to make m...
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The Lead Review
The Performance Of A Lifetime: The Granite Shore's Suspended Second
This is a pop record, and defiantly so, although at first glance it may not look like one...
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The Lead Review
Resistance Is Fertile: Snapped Ankles' Come Play The Trees
In trying times, resistance and resilience are born from the undergrowth of artistic communitie...
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Military Genius
Daniel Davies
Thammudu & Mishti
Wackelkontakt
Vladislav Delay
Caribou
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