A Quietus Interview:
Black Midi
The Lead Review
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The Lead Review
That Which Cannot Be Said: Caligula By Lingua Ignota
Hildegard of Bingen was only three when the visions started. It would be another two years befo...
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The Lead Review
The Horror Of Folk: Bobby Krlic's Midsommar Score
Credit: Corinne Schiavone If you’ve ever listened to a Haxan Cloak album you won’t be at all su...
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The Lead Review
Deep Time: The Shifting Force Fields Of Ellen Arkbro's CHORDS
CHORDS by Ellen Arkbro Near where I live there is a circular path around a riverbank that I wa...
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The Lead Review
Boom Boom Boom (Way-Ooh): Schlagenheim by Black Midi
credit: Anthrox Studios At the very end of Masahiko Satoh & Sound Breakers’ 1971 record Ama...
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Prince In A Camisole: Undressing The ‘Originals’ Album
“Vanity! Vanity!” Sixth months after Prince’s accidental overdose, a singer in a raspberry red...
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The Lead Review
Lonesome Valley High: Bill Callahan's Shepherd In A Sheepskin Vest
“I’m crawling through the desert/Without water or love”. So goes ‘The Desert’ by Smog, Bill Cal...
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The Lead Review
Fantastic Planet: Vanishing Twin And The Age Of Immunology
Almost a year ago, Vanishing Twin released a cassette called Magic & Machines, a set of spa...
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The Lead Review
Voyage Of The Upsetter: Lee 'Scratch' Perry & On-U Sound Go To The Moon
Photo credit: Kishi Yamamoto Rainford by Lee "Scratch" Perry Lee ‘Scratch’ Perry is ...
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Trouble Everyday: Sirens By Kevin Richard Martin
“There is a problem”. If you have sat in a hospital or Doctor's consulting room and heard these...
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The Lead Review
Books For Burning: Four Bibles By Hey Colossus
“Bands who stick with the same sound album after album are lying to you,” Hey Colossus bassist ...
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