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The Lead Review
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The Lead Review
More Fire! The Comet Is Coming's Trust In The Lifeforce Of The Deep Mystery
Photo credit: Fabrice Bourgelle Shabaka Hutchings is the reigning king of British jazz. The ban...
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The Lead Review
Bloomin' Marvellous! These New Puritans' Inside The Rose Reviewed
What does a musical collective do when, sonically, aesthetically, artistically, they've left al...
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The Lead Review
The Echoes Of Anxiety: The Caretaker's Final Chapter
The world that we find ourselves living in is so strange. There is a reason why The Caretaker h...
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The Lead Review
Welcome To The Plastisphere – Celebrate Matmos's Plastic Anniversary
In the 150 years since John Wesley Hyatt patented celluloid, the first commercially viable, mas...
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The Lead Review
Vulnerability Is Power – Little Simz' Grey Area Reviewed
Our twenties are an aching tug between adolescence and adulthood; a hard-to-define era with a m...
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The Lead Review
Ugly Songs For Ugly Times: Xiu Xiu's Girl With Basket Of Fruit
Girl with Basket of Fruit by Xiu Xiu Prolific and uncategorisable, Xiu Xiu are a group who zip a...
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The Lead Review
This Ghostly Age: Teeth Of The Sea's Wraith Reviewed
WRAITH by Teeth Of The Sea The fifth album from genre-undermining outfit Teeth of the Sea is the...
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The Lead Review
Party Politics: International Teachers Of Pop
front page photo: Duncan Stafford International Teachers of Pop is the project of Adrian Flana...
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The Lead Review
In The Nonspace Of The Mind: Lee Gamble’s In A Paraventral Scale
In A Paraventral Scale by Lee Gamble So much contemporary experimental music seeks to do the the...
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The Lead Review
A New World Being Born – Third Noise Principle: Formative North American Electronica 1975-1984
Futurisk, with Jeremy Kolosine front right “It’s funny, looking back, how new it all seemed to ...
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Mush
Melvins
Brijean
Howie Reeve & Kumio Kurachi
Mogwai
Buke and Gase and So Percussion
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