The Strange World Of...
Yoko Ono
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Organic Intelligence XXV: French Acid-Medieval Folk Revival
How do we listen to music that tells stories, when we don't speak the language? I have often gr...
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Low Culture Podcast: Jeff Wayne's War Of The Worlds
It’s perhaps not a coincidence that our podcast on Jeff Wayne’s War Of The Worlds begins as Luk...
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tQ's Exclusive Monthly Round-Up Playlist: September 2023
Photo by Maria Jefferis As part of your many, many perks for becoming a Quietus subscriber, we'...
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Delivery In Speed: An Interview with M.L. Deathman
Photos by Vicky Holland To receive Live At Acid Horse 23 by M.L. Deathman become a Quietus Soun...
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The Lingering Presence Of Christiane F, By Christiana Spens
I remember first finding a DVD of Christiane F. in Fopp in St. Andrews when I was about fourtee...
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Organic Intelligence XXIV: Women In South Asian Hip Hop
The Desi hip hop scene has seen immense growth since the turn of the century, with heavy hitter...
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Vanishing's Gareth Smith: “What Is A City If Not For Its People?”
To receive Shelter Of The Opaque by Vanishing become a Quietus Sound & Vision subscriber T...
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tQ's Exclusive Monthly Round-Up Playlist: August 2023
Photo by Maria Jefferis As part of your many, many perks for becoming a Quietus subscriber, we'...
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Low Culture Essay: Travis Elborough On Ian Nairn's No Two The Same
Each time I watch No Two The Same some new oddity jumps out at me. On this occasion it’s Nairn’...
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Organic Intelligence XXIII: Magic Realism In Polish Experimental Music
There is something otherworldly about hot summer days in Poland. Perhaps it is the sun-warmed a...
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