A Quietus Interview:
Annie
A Quietus Interview
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A Quietus Interview
My Music Is Whatever People Want To Call It: Loraine James Interviewed
Portraits by Jase Cooper On the cover of Loraine James’ latest album, For You And I, the past ...
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A Quietus Interview
The Shadow Of Death Hangs Over It: Bomb Sniffing Dogs Interviewed
Composite band image by Natalie Curtis I’m sat in the upstairs room of Manchester’s antiquaria...
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A Quietus Interview
Melodic Chaos: Floating Points Interviewed
It’s fair to say that Elaenia, Floating Points’ debut album, may have come as a surprise ...
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A Quietus Interview
A Consumer, A Sociologist: Kim Gordon Interviewed
“Being cool doesn’t matter that much when climate change is coming after us,” laughs Kim Gordon...
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A Quietus Interview
The Unanswered Question: Irmin Schmidt Interviewed
Portrait by Lucia Margarita Bauer Even within the wave of German groups of the late 1960s and ...
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A Quietus Interview
A Roaming Suburban Boy: William Doyle Interviewed
On a sunny mid-May afternoon, the quiet streets of Chandler’s Ford, Hampshire are alive with bi...
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A Quietus Interview
Creased Up: Jennifer Walshe interviewed
Portrait by Blackie Bouffant Jennifer Walshe performs at the NEXT festival in Bratislava on 28...
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A Quietus Interview
House Of Pain: Natalie Sharp’s Body Vice
Body Vice live photographs by Eleni Parousi and main portrait by Al Overdrive Body Vice will b...
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A Quietus Interview
Blossoming Intelligence: Emptyset Interviewed
Portrait by James Ginzburg Emptyset's new LP, Blossoms, is haunted. Not by a ghost, but by an ...
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A Quietus Interview
Dancing In The Woods: Octo Octa Interviewed
“The forest is weird,” Maya Bouldry-Morrison, AKA Octo Octa, tells me over a phone connec...
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