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In Extremis

In Extremis
Precarious Music: Part Wild Horses Mane On Both Sides Interviewed
There is something magical about the music of part wild horses mane on both sides. Initia...
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In Extremis
Gods Like Echo: Mark Dicker Interviewed
The last time The Quietus put Mark Dicker on a London stage it was in the summer of 2011 ...
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In Extremis
Actualise The Minimalism: An Interview With Thought Broadcast
Photos by Alexandra Gorczynski It might seem strange to have two debut albums, but Ravi B...
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In Extremis
High NRG Dancefloor Mayhem: An Interview With Blacknecks
Photo by Doris Woo What would happen, one might reasonably ask, were you to take some cran...
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In Extremis
Intensive Realism: An Interview With Clay Rendering
Two years ago I moved from New York back to southeast Michigan. Iggy Pop once complained ...
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In Extremis
Doom Is A State Of Mind: An Interview With Kongh
There might be nothing in a name, and let's face it, if you're going to name your band so...
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In Extremis
Murder Most Foul: Church Of Misery Interviewed
Serial killers! Sabbath! Doom! Yes, the Japanese do indeed have a way of doing things jus...
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In Extremis
Spiritual Modernism: Rafał Iwański Of HATI & X-Navi:Et Interviewed
Photo by Agnieszka Janik Rafał Iwański makes music preoccupied with space and silence, wit...
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In Extremis
Wayward Circuits: An Interview With Ekoplekz
Alien static, aquatic subs and rouge transmitter bleeps; legacy technology guided by hidd...
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In Extremis
Nature Eclipses Culture: An Interview With Richard Skelton
Richard Skelton distills music that reflects both landscapes and the human heart. For man...
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