A Quietus Interview:
James Holden
In Extremis
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In Extremis
Full Metal Racket: Aino Tytti Interviewed
All photographs courtesy of Daniel Benson "There's a sense of space in the Docklands that...
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In Extremis
Get Off Your Ass And Jam: Desmadrados Soldados De Ventura Interviewed
Call it the curse that comes with the blessing of our age of all-access cultural saturati...
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In Extremis
"Direct And From The Gut": With The Dead's Lee Dorrian Interviewed
Photograph courtesy of Ester Segarra A swaggering fifth column of monolithic audio, a cru...
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In Extremis
Traces Of People: An Interview With Matana Roberts
Photograph courtesy of Jason Fulford Saxophonist, composer, improviser, visual artist: Ma...
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In Extremis
Out Of The Shade And Into The Light: Luminous Bodies Interviewed
"Don't say anything." My interview with Luminous Bodies began with drummer Dan Hunt telli...
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In Extremis
"We Set Our Own Agenda": Obnox's Lamont Thomas Interviewed
"You know what I call fun?" asks Lamont 'Bim' Thomas of the expectant crowd at Café OTO i...
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In Extremis
Committed With The Physical: An Interview With Prurient
I first heard Dominick Fernow who performs under the moniker Prurient back in 2006 at a g...
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In Extremis
The Afterlife Of Sounds: An Interview With Stephen Cornford
From his early childhood, Stephen Cornford recalls one particular school music lesson. He...
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In Extremis
A Droning In The Eire: Jennifer Walshe On The Irish Avant-Garde
Zaftig Giolla (right middleground), Galway, 1929. Photograph courtesy of aisteach.org The...
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In Extremis
Tangled Paths: An Interview With Orphx
The growth and merging of contemporary techno and industrial music is a topic much commen...
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Healing Force Project 
Surgeon
Lana Del Rabies
Fever Ray
Powell + London Contemporary Orchestra 
Bryozone
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