A Quietus Interview:
Black Midi
Craft/Work
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Craft/Work
A Politics Of The Image: An Interview With Trevor Paglen
Portrait of Artist Trevor Paglen. The Curve, Barbican. 26 September 2019 – 16 February 2020 © Ti...
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Fed Through The Memory Filter: Richard Foster’s Museum of Photocopies
Every photocopy is a document. Even the blank paper accidentally copied. That’s a document of t...
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The Pataphysics Of Connecting: Alex Farrar Gets Physical
Alex Farrar’s Behavioural Residue and Sweat Paintings provide opportunities to address the detr...
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Beware The Savage Jaw: The Doublethink Paintings Of Clare Woods
Clare Woods, Ownlife, 2019, oil on aluminium. 150 x 150 3cm We begin with a scream. A painting...
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Psychedelic Odin: William Blake's Gift To Musicians
William Blake (1757-1827) Capaneus the Blasphemer 1824-1827. Pen and ink and watercolour over pe...
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Welcome To The Pleasuredome: Helen Beard Interviewed
It is impossible to be indifferent to Helen Beard’s work. She portrays sexuality in raw and bol...
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Dear Mammal: The PAL Psychedelia Of Pipilotti Rist
Pipilotti Rist, Open My Glade (Flatten), 2000. Single channel video installation, silent, (video...
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How Does It Feel? Michael Bracewell Show Explores Art & Pop, 1976–1995
Richard Hamilton, Diab DS-101 computer, 1985–89, Mixed Media 70 x 50 x 50 cm. © The Estate of Ri...
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Platform Shoes: Emerging Artists In Sheffield
Yuen Fong Ling installation image. All photos, credit: Jules Lister The 2019 iteration of Sheff...
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Where You From? What You On? Sweet Harmony Is An Exhibition About Rave
Installation View, Stephen Dobbie, Colin Nightingale, Sweet Harmony: Rave I Today, 12 July – 14 ...
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