The Strange World Of:
Asha Puthli
Craft/Work
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Craft/Work
Swings And Roundabouts: At Sonica Festival, Glasgow
Pivot, photo credit: Gregory Lorenzutti What’s the most appropriate verb to connote one’s movem...
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What Can’t Be Seen: An Interview With Alison Wilding
Red Skies 1992_ Alison Wilding. Courtesy the artist and Karsten Schubert London Image credit Rob...
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"Can't Stay In Your BDSM Hole Forever": Shawné Michaelain Holloway
Shawné Michaelain Holloway is an American artist currently based in Chicago and New York. She w...
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Cold Comforts: Annie Pootoogook In Liverpool
Annie Pootoogook, Eating Seal at Home, 2001, Collection of John and Joyce Price. Im...
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What Are You Looking At: Lucian Freud As Seen By Daphne Wright
All images: IMMA Collection: Freud Project, The Ethics of Scrutiny, Curated by Daphne Wright, Ir...
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The Pixels Themselves: An Interview With Mario Klingemann
When Mario Klingemann concluded his keynote speech at the xCoAx 2018 conference in Madrid, an u...
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Robbing The Diseased Society: David Wojnarowicz In New York
David Wojnarowicz(1954-1992), Untitled (One day this kid . . .), 1990-91. Photostat mounted on b...
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Visual Overload: WEIRDCORE Discusses His Craft and Collaborators
Think of a musical artist. Odds are you’ve conjured up an image in your head rather than a soun...
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Twittering Machines: The Surreal World of Les Shadoks
Something strange appeared in the skies over Annecy on Valentine’s Day, 1973. “My wife was prep...
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Hedge Walking: The Land Art Of Andy Goldsworthy
Sometimes when walking in nature something uncanny may reveal itself. A group of trees might mo...
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Croatian Amor & Varg2TM
Omar Souleyman
Aaron Einbond with Matilde Meireles and Yarn/Wire
Harald Austbø
Lyzza
Cattle Decapitation
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