A Quietus Interview:
Black Midi
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Cold, Hard Future: Katja Novitskova's Invasion Curves
The 4Moms Mamaroo is marketed as “the original and ONLY infant seat that replicates [the] natur...
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The Magic Space: Andrew Jackson On From A Small Island
Andrew Jackson, Hand, Kingston Jamaica, 2017 Andrew Jackson’s solo exhibition From a Small Isla...
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A Lark Ascending: Karl Bielik On Painting And Process
A painter for 20 years, Karl Bielik has nurtured his natural sensitivity to colour and develope...
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Wide Eyed And Legless: Duggie Fields’s House Party
Duggie Fields, The Modern Institute, Glasgow International 2018 Before Weird New Britain there ...
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Golden Ears: Alexander Provan On Measuring Device With Organs
“The test has begun. You survey the listening room from a grey leather armchair with a low back...
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Frida Kahlo: Viva La Vida
On June 16th The Victoria and Albert Museum in London will have the unique distinction of being...
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Wet Ware: 11 Fountains In Leeuwarden-Friesland, Capital Of Culture
11Fountains - Leeuwarden © IMAZZO, Leeuwarden-Friesland What is left that speaks of uniqueness...
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The Final Curtain: Thomas Struth’s Inanimate Menagerie
Thomas Struth, installation view, Galerie Max Hetzler at Kurfürstendamm 213, Berlin, 2018 Photo:...
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The Question Of The Wrapper Design: Edward Bawden's Book Jackets
“May I blow my own trumpet – immodest tho’ it may seem – to tell you that I am particularly int...
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“What Nut Does The Human Finger Most Taste Like?”: A Party After The End Of The World
With the piss prez reneging on the Iran nuclear deal, the title of Forest Sound Theatre's new t...
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Jay Som 
The Hold Steady
Joel Oppenheimer / Hans Plomp / Piero Heliczer
Blanck Mass
Haiku Salut
Sharky
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