The Lead Review:
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Action, Time And Vision: Günter Brus Gets Dirty
A recent article by Mike Watson in ArtReview asks the question is art too polite to fight the f...
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Against Everything: Club 57 At MoMA
Acts of Live Art at Club 57. Pictured: Larry Ashton. 1980. Photo: Joesph Szkodzinski. Courtesy J...
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The Imitation Of A Memory: Pizzi Cannella On Painting, Poetry, And The New School Of Rome
Veduta, 2018, mixed media on canvas, 155x200cm. Courtesy of Partners & Mucciaccia © Pizzi Ca...
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An Invasion Of The Palace By Smaller Places: Danny Pockets RIP
Danny Pockets, artist and curator, died of cancer on 12th March. A painter, socio-political a...
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Epic Soundtracks: Artists Who Make Music And Musicians Who Make Art
There’s a gallery in the city where I now live that sells paintings by globally (in)famous rock...
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A Year Of Wonders: Picasso, 1932
Reclining Nude, 1932, oil paint on canvas, Private Collection © Succession Picasso / DACS London...
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Psychic Automatism In Its Pure State: Magritte, 1927–1930
Les amants, 1928, Oil on canvas Photo: Damien Griffiths, Courtesy of Galerie Haas AG, Zürich. © ...
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The Noise In-Between: An Interview With Ivan Seal
Ivan Seal, adultery bi prenontspliver, 2015 Memory. It’s a funny old thing. And for Berlin-bas...
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Suburban Gothic: An Interview With Eric Fischl
Eric Fischl, Worry, 2017, oil on linen, 78 x 90 in. (198.1 x 228.6 cm.), © Eric Fischl. Courtesy...
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Noise As Abstraction: Fuzzing The Limits Of Free Speech In Thailand
Portrait courtesy General View Records 場．景．設．定 On the third day of Pisitakun Kuantalaeng’s sho...
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