The Strange World Of...
This Mortal Coil
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The Mystery Of Things: An Interview With Sue Tompkins
Sue Tompkins at Lydgalleriet, Bergen, for Borealis Festival Credit: Thor Brødreskift/Borealis “...
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Transitional Subjects: Hannah Black & Bonaventure
Hannah Black, The Situation, 2017 & Transitional Objects, 2017. Exhibition view o...
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The London Scene: Recalling 60s Soho With Bacon, Freud, & Kossoff
Leon Kossoff, Children's Swimming Pool, 1969 If we had been in London in the spring of 1962 I w...
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Action, Time And Vision: Günter Brus Gets Dirty
A recent article by Mike Watson in ArtReview asks the question is art too polite to fight the f...
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Against Everything: Club 57 At MoMA
Acts of Live Art at Club 57. Pictured: Larry Ashton. 1980. Photo: Joesph Szkodzinski. Courtesy J...
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The Imitation Of A Memory: Pizzi Cannella On Painting, Poetry, And The New School Of Rome
Veduta, 2018, mixed media on canvas, 155x200cm. Courtesy of Partners & Mucciaccia © Pizzi Ca...
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An Invasion Of The Palace By Smaller Places: Danny Pockets RIP
Danny Pockets, artist and curator, died of cancer on 12th March. A painter, socio-political a...
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Epic Soundtracks: Artists Who Make Music And Musicians Who Make Art
There’s a gallery in the city where I now live that sells paintings by globally (in)famous rock...
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A Year Of Wonders: Picasso, 1932
Reclining Nude, 1932, oil paint on canvas, Private Collection © Succession Picasso / DACS London...
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Psychic Automatism In Its Pure State: Magritte, 1927–1930
Les amants, 1928, Oil on canvas Photo: Damien Griffiths, Courtesy of Galerie Haas AG, Zürich. © ...
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Deerhunter
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Trondheim Jazz Orchestra & Ole Morten Vagan
Robyn G Shiels
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