The Strange World Of...
This Mortal Coil
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Here Comes The Mirror Man: Mark Wallinger In Hastings
Birdman (detail; 2018) Marc Wallinger. Archival Digital Prints on Diband. Courtesy the artist an...
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Attention Must Be Paid: Bruce Nauman In Basel
Bruce Nauman, Eating My Words from the portfolio Eleven Color Photographs, 1966–67/1970/2007 Tin...
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Moments Of Respite: Curator Seán Elder On Tako Taal & Rami George
Residue, Tako Taal (2018), Grand Union (Photo credit: Patrick Dandy) Inherited Premises is a sh...
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Too Cool For School: Hopper, Hartley, Demuth At The Ashmolean
Charles Sheeler (1883–1965), Water, 1945, Oil on canvas, 61 x 74.3 cm, Metropolitan Museum of Ar...
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Abject Luxury: The Legacy Of Martin Margiela
Martin Margiela, waistcoat, Spring-Summer 1990. Made from slashed posters overlaid on a cotton b...
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Cold, Hard Future: Katja Novitskova's Invasion Curves
The 4Moms Mamaroo is marketed as “the original and ONLY infant seat that replicates [the] natur...
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The Magic Space: Andrew Jackson On From A Small Island
Andrew Jackson, Hand, Kingston Jamaica, 2017 Andrew Jackson’s solo exhibition From a Small Isla...
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A Lark Ascending: Karl Bielik On Painting And Process
A painter for 20 years, Karl Bielik has nurtured his natural sensitivity to colour and develope...
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Wide Eyed And Legless: Duggie Fields’s House Party
Duggie Fields, The Modern Institute, Glasgow International 2018 Before Weird New Britain there ...
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Golden Ears: Alexander Provan On Measuring Device With Organs
“The test has begun. You survey the listening room from a grey leather armchair with a low back...
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Deerhunter
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Trondheim Jazz Orchestra & Ole Morten Vagan
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