The Year So Far
A Behemoth Playlist
Craft/Work
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Craft/Work
GHAOS Reigns: The Total Institutions of Reactor
“I went to a shed near the station in Nottingham. I was captured and interrogated.” –...
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Round Them Up And Shoot Them: Pick Of The Month’s Gallery Shows
Right Here, Right Now at The Lowry, Salford We are used to thinking of the internet as...
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An Electric Storm: Cerith Wyn Evans Interviewed
Photograph © White Cube (George Darrell) “In-betweenness has always been a bit of a c...
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Uncanny Flatlands: Wysing Art Centre at the Edge of the Real
All photographs by Paul Allitt, courtesy Wysing Art Centre I am inside the Wysing Art Cen...
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Auto-Constructing Abraham: From Frieze Masters to the Tate Modern
All photos by Andrew Dunkley ©TATE 2015 except where noted “Something … growing out o...
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Artist Run: A New Quietus Arts Feature - Inside No.w.here
no.w.here's 16mm contact printer "The thing about film," Karen Mirza says to me, "is tha...
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Falling Down The K-Hole: Art And Virality At The Frieze Art Fair
Kurimanzutto, by Frieze photographer “About a year and a half ago, we stepped inside the...
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“Language Is A Found Object”: The Many Squids Of Anna Barham
All photographs by Andy Keate A comma hangs against a shimmering, iridescent background,...
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“Sovereign Objects”: Steven Claydon Talks Sculpture And Synthesizers
Gallery photographs by Annik Wetter In the spring of 2009, bankrupt and recently indicte...
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“Not Making Things”: Robert Irwin On Light & Ambiance
Robert Irwin was recently asked by a friend if he fancied going to a conference in Chicag...
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Matana Roberts 
Meatraffle
Kylie Minogue
Crave
Loraine James
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