Low Culture Essay
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Action At A Distance: Leslie Deere’s Modern Conjuring
“The ghosts will be coming any second now.” I am at sitting in the Clerkenwell studio of ...
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A Police Utopia: Jimmy Cauty’s Aftermath Dislocation Principle
Photo credit Randall Harrington The man who once burnt a million pounds with Bill Drummon...
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Tripping The Light Fantastic: Joachim Koester At Turner Contemporary
Joachim Koester, Tarantism, 2007, Courtesy the artist and Jan Mot, Brussels One winter’s ...
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Round ’Em Up Let’s Go: February Exhibition Previews
Harmony Korine, Watermellon Circle, 2015, © Harmony Korine. Courtesy the artist and Gagosian...
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An Imaginary Menagerie: Christiana Soulou’s Drawings After Borges
Christiana Soulou, Sky Blue Licorne Horses, 2014, Copyright the artist, courtesy Sadie Cole...
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Cultural Capital: Can London Afford To Price Out Its Artists?
The London Art Fair, photo by Mark Cocksedge “I was priced out of East London and moved t...
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Your Letter Is Only The Start Of It: Jim’ll Paint It For You
Courtesy of Jim’ll Paint It Like most people, I think I first noticed Jim’s work when he...
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Live Cinema: Guy Sherwin And Lynn Loo At The David Roberts Art Foundation
By the time I reached the David Roberts Art Foundation, tucked away off Camden High Str...
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Reelin’ in the Year: Things To Look Forward To In 2016
The new Tate Modern © Peter Saville with Paul Hetherington and Morph The Tate Modern Ext...
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Mind The Doors: Onboard Katrina Palmer’s Necropolitan Line
White cube gallery spaces are often charged with being clinical, but the experience o...
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