Rum Music:
2022's Hits & Highlights
Craft/Work
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Craft/Work
Rainbow Actions: An Interview with Naufus Ramírez-Figueroa
Naufus Ramírez-Figueroa, God's Reptilian Finger, 2015. Commissioned by Gasworks. Courtesy the ar...
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Artist Run: ADAO, Barreiro, Portugal
Photo by Francisco Antero Fernandes It was thanks to the Out.Fest music festival that...
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Beat Street: Graffiti Online And Off
Graffiti in Chicago, 1973, U.S. National Archives & Records, photographer: John H. White ...
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Enter At Your Own Risk: Two Exhibitions at Turner Contemporary
Risk, installation view at Turner Contemporary. All photos: Stephen White Margate is ...
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Enter The Void: On Kode9 & A Brief History Of Nothing In Art
One of Ad Reinhardt’s Black Paintings… or one of Malevich’s… In the Spring of 2014, M...
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Digital Materialism: An Interview with Benedict Drew
Photograph by Charlotte Jopling, courtesy of the artist and Matt’s Gallery, London Ri...
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Artists Arranging Things Themselves: The Digressionary Subject
Floor Story (other people's wardrobes) (Madrid) by David Price Imagine a hypothetic...
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GHAOS Reigns: The Total Institutions of Reactor
“I went to a shed near the station in Nottingham. I was captured and interrogated.” –...
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Round Them Up And Shoot Them: Pick Of The Month’s Gallery Shows
Right Here, Right Now at The Lowry, Salford We are used to thinking of the internet as...
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An Electric Storm: Cerith Wyn Evans Interviewed
Photograph © White Cube (George Darrell) “In-betweenness has always been a bit of a c...
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