A Quietus Interview:
James Holden
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Round Them Up Cowgirl: March Exhibition Previews
Simon Starling, The Nanjing Particles, 2008. Courtesy the artist, MASS MoCA, North Adams and th...
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Turning The Wurm: How I Became A Sculpture (For One Minute)
Erwin Wurm, One Minute Sculpture, 1997 c-print Courtesy the artist and Lehmann Maupin, New Y...
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Archeologies Of The Future: Michael Joo’s Radiohalo At Blain|Southern
Michael Joo, Untitled (Take), 2016, Silver nitrate and epoxy ink on canvas, Courtesy the art...
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Meat Market: The Symbolic Sabotage Of Jeremy Hutchison
The room is dark. There are no more than a dozen people here at Hackney’s Space Building,...
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Action At A Distance: Leslie Deere’s Modern Conjuring
“The ghosts will be coming any second now.” I am at sitting in the Clerkenwell studio of ...
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A Police Utopia: Jimmy Cauty’s Aftermath Dislocation Principle
Photo credit Randall Harrington The man who once burnt a million pounds with Bill Drummon...
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Tripping The Light Fantastic: Joachim Koester At Turner Contemporary
Joachim Koester, Tarantism, 2007, Courtesy the artist and Jan Mot, Brussels One winter’s ...
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Round ’Em Up Let’s Go: February Exhibition Previews
Harmony Korine, Watermellon Circle, 2015, © Harmony Korine. Courtesy the artist and Gagosian...
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An Imaginary Menagerie: Christiana Soulou’s Drawings After Borges
Christiana Soulou, Sky Blue Licorne Horses, 2014, Copyright the artist, courtesy Sadie Cole...
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Cultural Capital: Can London Afford To Price Out Its Artists?
The London Art Fair, photo by Mark Cocksedge “I was priced out of East London and moved t...
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Healing Force Project 
Surgeon
Lana Del Rabies
Fever Ray
Powell + London Contemporary Orchestra 
Bryozone
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