Rum Music:
2022's Hits & Highlights
Craft/Work
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Craft/Work
We Can Build You: Assemble And The Legacy Of Walter Segal
250,000 new homes are required to be built each year to keep up with housing demand in En...
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Craft/Work
Listening to Someone Listening: James Richards at Bergen Kunsthall
The work of James Richards, according to Dan Fox, "hints at the desire in all of us to fe...
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Craft/Work
A Work Of A Work: Sturtevant’s Warhol Marilyn
No doubt you recognise the image up there, above this line of text. It’s a Warhol, right?...
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Craft/Work
The Territory Of The Book: An Interview With Alexandra Leykauf
Sunset Harbor at Rio (Martin Johnson Heade) on my desk, 2015, 35 cm x 50 cm, analog c-print ...
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Craft/Work
Round Them Up Cowgirl: March Exhibition Previews
Simon Starling, The Nanjing Particles, 2008. Courtesy the artist, MASS MoCA, North Adams and th...
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Craft/Work
Turning The Wurm: How I Became A Sculpture (For One Minute)
Erwin Wurm, One Minute Sculpture, 1997 c-print Courtesy the artist and Lehmann Maupin, New Y...
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Craft/Work
Archeologies Of The Future: Michael Joo’s Radiohalo At Blain|Southern
Michael Joo, Untitled (Take), 2016, Silver nitrate and epoxy ink on canvas, Courtesy the art...
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Craft/Work
Meat Market: The Symbolic Sabotage Of Jeremy Hutchison
The room is dark. There are no more than a dozen people here at Hackney’s Space Building,...
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Craft/Work
Action At A Distance: Leslie Deere’s Modern Conjuring
“The ghosts will be coming any second now.” I am at sitting in the Clerkenwell studio of ...
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Craft/Work
A Police Utopia: Jimmy Cauty’s Aftermath Dislocation Principle
Photo credit Randall Harrington The man who once burnt a million pounds with Bill Drummon...
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The Waeve
SUEP
loscil + Lawrence English
Historically Fucked 
Opla
Heavy Blanket 
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