The Year So Far
A Behemoth Playlist
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Artist Run: Stepping Out With Footfall Art
The Hampstead Road is not usually part of London’s art world. Far from both the establish...
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Cross Channels: Performance And Ritual At Wysing Polyphonic
Photo: Mike Cameron Courtesy: Wysing Arts Centre I’ve been to Wysing before. I grew up in...
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The Second Life Of Concrete: Brutalism’s Renaissance
All photos: Stuart Leech Just over eighty years ago and shortly after Nazi Germany’s airb...
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Imagine The World Anew: Assemble Talk Brutalist Playgrounds
Churchill Gardens Estate, Pimlico, London: children's playground, John Donat / RIBA Collecti...
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Explore Functions: Zero Zero At Annka Kultys Gallery
The instantly recognisable thin white cabling of an Apple-branded USB charger snakes in a...
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Please Find An Alternative Entrance: Performance At The Switch House
Tania Bruguera (b.1968), Tatlin’s Whisper #5 2008, Performance, 2 people and 2 horses Overal...
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Home Is Where It Hurts: Mona Hatoum At Tate Modern
Mona Hatoum. Light Sentence 1992, Galvanised wire mesh lockers, electric motor and light bul...
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“Europe Needs English Tea”: The EU Referendum And The Arts
This Thursday, 23 June, the people of the United Kingdom will go to the polls to decide u...
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An Event Not An Appearance: Bridget Riley, Venice And Beyond
Given the rocky few years that Museums Sheffield have had with spending cuts and budget b...
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Formalism On Acid: Mary Heilmann At The Whitechapel Gallery
Mary Heilmann, Music of the Spheres, 2001 ©Mary Heilmann Photo credit: Hauser & Wirth, C...
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Kylie Minogue
Crave
Loraine James
CHAI
Anjimile
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