Rum Music:
2022's Hits & Highlights
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Painting With The Light: Dan Flavin At Ikon
Dan Flavin, It is what it is and it ain't nothing else. Installation view, Ikon Gallery (201...
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A Devil With The Detail: Joe Coleman Interviewed
Joe Coleman cuts a unique figure against whichever cultural backdrop art critics may atte...
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The Flipside Of Technology: Cory Arcangel Interviewed
Mig 29 Soviet Fighter Plane, Clouds and OSX, 2016. Mig 29 Soviet Fighter Plane and Clouds (2...
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Everything Is A Picture: The False Friends Of Oliver Osborne
Oliver Osborne, Untitled, 2016, Oil and collage on linen, 28 x 38 cm. Image courtesy of Vilm...
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The More-Than-Human World: An Interview With Hanna Tuulikki
Women of the Hill performance. Images credit: Simon Groom At dusk on Halloween last year, Hanna...
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The Juarez Device: Mixing Images And Song With Terry Allen
“Juarez is like a haunting for me,” Terry Allen says when I ask him how it feels to look ...
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Night Call: The Art Of Thalma Goldman
Thalma Goldman (Cohen) was brought up by Zionist parents in Rishon-le-Zion, Israel. She arrived...
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Bye Bye Space Boy: Conceptual Art In Britain
Keith Arnatt, Self-Burial (Television Interference Project), 1969, Tate. Presented by Westdeutsc...
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That Creeping Feeling: R. Crumb’s Art & Beauty
R. Crumb, Untitled, 2002, Page from Art & Beauty Magazine, Number 2, 2003, Ink and corre...
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The Secret Of His Great Strength: Ai Weiwei At Idomeni
Image courtesy of Ai Weiwei Studio As clumps of marl grey hair fall to the ground of Idomeni, a...
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The Waeve
SUEP
loscil + Lawrence English
Historically Fucked 
Opla
Heavy Blanket 
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