The Strange World Of:
Asha Puthli
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Who Gets To Be The Artist? An Interview With Suzanne Lacy
Suzanne Lacy, Anatomy Lesson #4: Swimming, 1977 (detail); five colour photographs; (C) Suzanne L...
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"We Know Nothing About The Future": HANNAH By Verdensteatret
In November 2016, the Norwegian artist collective Verdensteatret retraced their steps along the...
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Honey, I Shrunk The Art: Miniscule At Venice
Picture credit: ‘My breath in your hands’. Porcelain and algae by Venetia Nevill Miniscule Veni...
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Decolonising The Museum: Kader Attia At The Hayward Gallery
Installation view of The Repair from Occident to Extra-Occidental Cultures, Kader Attia_ The Mus...
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Necessary Detours: David Salle's Comic Turn
David Salle, Autumn Rhythm (2018), oil and acrylic on linen © David Salle/VAGA at ARS, NY and DA...
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The Artist As Brand Manager: Joana Vasconcelos at Serralves
I went to see Joana Vasconcelos’s exhibition at Serralves to find out whether she was the Portu...
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Everything Must Go: Mike Nelson Inters British Industry
Installation view of The Asset Strippers at Tate Britain, 2019. Photo: Tate (Matt Greenwood Mik...
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Love Is A Battlefield: The Brutal Visions Of Hyon Gyon
There are creatures, demons and people. Terrible things are happening to them. A woman force-fe...
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Still Life, With Isoptera: Manny Faber's Termite Art
Manny Farber, Domestic Movies, 1985, oil on board, 96 × 96 in. (243.84 × 243.84 cm), ResMed coll...
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Once Upon A Time In America: The Violence Of Cady Noland
Cady Noland, Tower of Terror (back), 1993/1994, Glenstone Museum, Potomac, Maryland (US) Install...
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Croatian Amor & Varg2TM
Omar Souleyman
Aaron Einbond with Matilde Meireles and Yarn/Wire
Harald Austbø
Lyzza
Cattle Decapitation
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