Florian Schneider RIP
Kraftwerk Baker's Dozen
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Rock Around The Clock: Dimitris Papaioannou In Sisyphus / Trans / Form
In our collective imagination, the focus of the myth of Sisyphus is his endless task of rolling...
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Puppet Masters: Early Film & Puppetoons At Tartu Toy Museum
Puppets from the puppet film "Meemeistrite linn (1983) The permanent exhibition at Tartu Mängua...
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The Tyranny Of Representation: Michael Simpson Interviewed
All images: Michael Simpson, New Paintings, 2019, Installation View, BlainSouthern London, Photo...
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Tree Hugger: Fondation Cartier Gets Arboreal
Installation view of Trees, Fondation Cartier pour líart contemporain, 2019, Paris. Photo: Thiba...
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A Politics Of The Image: An Interview With Trevor Paglen
Portrait of Artist Trevor Paglen. The Curve, Barbican. 26 September 2019 – 16 February 2020 © Ti...
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Fed Through The Memory Filter: Richard Foster’s Museum of Photocopies
Every photocopy is a document. Even the blank paper accidentally copied. That’s a document of t...
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The Pataphysics Of Connecting: Alex Farrar Gets Physical
Alex Farrar’s Behavioural Residue and Sweat Paintings provide opportunities to address the detr...
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Beware The Savage Jaw: The Doublethink Paintings Of Clare Woods
Clare Woods, Ownlife, 2019, oil on aluminium. 150 x 150 3cm We begin with a scream. A painting...
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Psychedelic Odin: William Blake's Gift To Musicians
William Blake (1757-1827) Capaneus the Blasphemer 1824-1827. Pen and ink and watercolour over pe...
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Welcome To The Pleasuredome: Helen Beard Interviewed
It is impossible to be indifferent to Helen Beard’s work. She portrays sexuality in raw and bol...
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