A Quietus Interview:
Annie
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Farewell To The Flesh: Alina Szapocznikow's Body Parts
Alina Szapocznikow, Noga (Leg, 1962, ©ADAGP Paris. Courtesy the estate of Alina Szapocznikow, Pi...
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Interior, With Laptop: On Art At Home When There's Nowhere Else To Go
Domestic Dutch Interior, Quiringh Gerritsz van Brekelenkam (after 1622–1669 or after) Photo cred...
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A Beach In A Box: Sun & Sea in Bergen
Photo by Johanne Karlsrud It’s the beginning of March and I’m at a music festival in Norway. Th...
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Time After Time: Athanasios Argianas' Hollowed Water Playlist
Hollowed Water was an exhibition of new work in music, sculpture, and video by Greek/British ar...
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Violence Is Everyone: An Interview With Jordan Wolfson
Installation view, Jordan Wolfson, Colored sculpture, 2016, South Tank, Tate Modern, London, 03 ...
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Artist Run: Daniel Hosego At Atom Gallery
all images courtesy Atom Gallery Nestled in the heart of north London is the vibrant, independe...
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Failing Better: The Radical Pedagogies Of Adelita Husni-Bey
“What would it mean if subjects were formed differently?” Adelita Husni-Bey asks over a glitchi...
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The St. Francis Of Things: Umbo At The Berlinische Gallery
Umbo, Ohne Titel (Menjou en gros), 1928/1929, Leihgabe der Ernst von Siemens Kunststiftung © Phy...
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The Quire Of Pablo: Picasso & Paper At The Royal Academy
Pablo Picasso drawing in Antibes, summer 1946. Black-and-white photograph. Photo © Michel Sima /...
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The Trumpet That Blows Its Own: Nevin Aladag's Fanfare
Nevin Aladağ, Traces, 2015, video still. © the artist. Courtesy the artist and Wentrup, Berlin ...
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Pa Salieu
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