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Speech Recognition: The Voice Gem System Of Harry Yeff & Trung Bao
Kenny Schachter Voice Gem Growing up on a council estate in East London, the young Harry Yeff w...
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Inventing Soutine: On Artists In Fiction
I confess to suffering from artist-envy. I mean, rather than arranging the fly-specks and hen-s...
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Lux Non Aeterna: The Fleeting Light Works Of Richard Wright
This is Rebecca Solnit writing in Orwell’s Roses, her recent book on the more bucolic side of t...
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The Importance Of Being Earnest: Five Highlights From Documenta 15
Richard Bell, Umbrella Embassy, 2022, installation view: Fridericianum, 14 June 2022. Photo: Nic...
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Sound Of The Crowd: The Procession By Hew Locke
“What I try to do in my work is mix ideas of attraction with ideas of discomfort – colourful an...
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A Spectre Is Haunting Mayfair: Haunted Realism At The Gagosian
ADAM MCEWEN, Untitled, 2020. Flashe and spray paint on paper 11 1/4 x 15 3/4 in, 28.6 x 40 cm © ...
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Billericay Mickie: Michael Landy At Firstsite, Colchester
Michael Landy, Essex Man (after Collet), 2021. Based on an original drawing by Edward Collet. Mi...
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Echo's Answer: New Sound Art From Ireland
“In my music, you have to concentrate on one or two things … one thing actually. I’ve been told...
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We Are All Voluptuous: Luchita Hurtado's Sky Skin Series
Luchita Hurtado, Untitled, c. 1976, Oil on canvas, 42.5 x 58.4 cm / 16 3/4 x 23 in. © The Estate...
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Your Head It Simply Swirls: The Otolith Group in Dublin
All photos: Ros Kavanagh The Otolith Group is a collective formed by Anjalika Sagar and Kodwo E...
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