Rum Music:
2022's Hits & Highlights
Craft/Work
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Craft/Work
Sticking Pins In Beautiful Things: Juergen Teller In Berlin
Juergen Teller, Self portrait, London 2015 © Juergen Teller I’ve had a soft spot for Juer...
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Craft/Work
Film As Surface: Elizabeth McAlpine's Light Reading
The Raid is a 101 minute long silat [Indonesian martial arts] film, directed by Welsh fil...
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A Chance To Cut: The Ends Of Collage
Jack Goldstein, The Knife, 1975, 16mm film, colour, silent, © The Estate of Jack Goldstein ...
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No More Complex Pleasure Than Thought: Lina Hermsdorf
‘“Antonia” has grown up on Elysium. She speaks several languages and is able to transmute...
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On The Edge: Michelle Williams Gamaker And Julia Kouneski
We are twenty-two floors up the Edifício Copan, a 118.44-metre tall residential building ...
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Colouring Out: Queer British Art At The Tate
Henry Scott Tuke (1858-1929), The Critics, 1927, Oil on board, 412 x 514 mm, Warwick Distric...
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Too Much On My Mind: Keith Tyson In Hastings
The Scottish broadcaster and writer Stuart Cosgrove was once asked what he thought of Pat...
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Inventing Masks: Gillian Wearing And Claude Cahun
Do masks ever reveal more than they conceal? And if the former, what is it they reveal? H...
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Concrete Poetry: Robert Montgomery's Hammersmith Poem
All images: David Tett What’s black and white and read all over? The answer is artist, ...
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Slated and Curated: Vlatka Horvat And Tim Etchells At Sheffield Millennium Gallery
In Alan Bennett's latest volume of diaries, he quotes Anthony Powell's thesis that "docum...
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