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Guitar Hero: Ragnar Kjartansson At The Barbican
All images © Tristan Fewings/ Getty Images, Courtesy of the artist, Luhring Augustine New Yo...
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The Not There: The Abuse Standards Violations Of Eva & Franco Mattes
I’m watching a succession of videos, each showing men, standing in their pants with dead ...
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Studio Visit: An Interview With Lilah Fowler
Detail of: I am ten thousand cathedrals rolled into one, 2016, (Galvanised steel, acrylic, glass...
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A Shed Of One's Own: Supernormal Takes Art To The Bottom Of The Garden
In November of 2007, a man named Shaun Greenhalgh was arrested for forgery. For over fifteen ye...
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Living City Plan: Laura Oldfield Ford At Grand Union, Birmingham
For her solo exhibition Chthonic Reverb, Laura Oldfield Ford has refocused the way in which her...
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Delirious New Wick: Lawrence Lek’s Post-Brexit Apocalypse
In 1977, Sol LeWitt cut out a triangle of a London A-Z with, at its three corners, the Li...
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Artist Run: Stepping Out With Footfall Art
The Hampstead Road is not usually part of London’s art world. Far from both the establish...
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Cross Channels: Performance And Ritual At Wysing Polyphonic
Photo: Mike Cameron Courtesy: Wysing Arts Centre I’ve been to Wysing before. I grew up in...
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The Second Life Of Concrete: Brutalism’s Renaissance
All photos: Stuart Leech Just over eighty years ago and shortly after Nazi Germany’s airb...
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Imagine The World Anew: Assemble Talk Brutalist Playgrounds
Churchill Gardens Estate, Pimlico, London: children's playground, John Donat / RIBA Collecti...
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