A Quietus Interview:
Black Midi
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Bye Bye Space Boy: Conceptual Art In Britain
Keith Arnatt, Self-Burial (Television Interference Project), 1969, Tate. Presented by Westdeutsc...
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That Creeping Feeling: R. Crumb’s Art & Beauty
R. Crumb, Untitled, 2002, Page from Art & Beauty Magazine, Number 2, 2003, Ink and corre...
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The Secret Of His Great Strength: Ai Weiwei At Idomeni
Image courtesy of Ai Weiwei Studio As clumps of marl grey hair fall to the ground of Idomeni, a...
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Off The Grid: Francois Morellet At Ninety
Francois Morellet, Strip-teasing 4 fois no.10 2016, Acrylic on canvas on wood, 100 x 100 cm ...
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A Performative Approach To Nature: Exploring Art Sheffield
Installation View. Charles Atlas at Sheffield Institute of Arts Gallery. Courtesy Art Sheffi...
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Touching A Different Nerve: Robert Mapplethorpe On Film
In September 1989, Senator Jesse Helms stood in front of America's press and fellow polit...
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Abstract Expressionism Without Making A Mess: Jonathan Meades's First Exhibition
Jonathan Meades, 09 IKB Struggles Jonathan Meades wears Jonathan Meades at an exhibition ...
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Life On The Edge: BRINK At Dilston Grove
Eric Pauwels, Violin Fase (1986). Installation Photograph by Damian Griffiths. Courtesy of t...
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Try To Altar Everything: Genesis Breyer P-Orridge At The Rubin Museum
It’s hard to decide where to begin looking at, much less deciphering Genesis Breyer P-Orr...
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Analyse That: Mark Wallinger’s Monsters From The Id
All pictures: Installation view, ‘Mark Wallinger. ID’, Hauser & Wirth London, 2016 © Mar...
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Fatima Al Qadiri
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Edo Funk Explosion Volume 1
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