Rum Music:
2022's Hits & Highlights
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The Importance Of Being Earnest: Five Highlights From Documenta 15
Richard Bell, Umbrella Embassy, 2022, installation view: Fridericianum, 14 June 2022. Photo: Nic...
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Sound Of The Crowd: The Procession By Hew Locke
“What I try to do in my work is mix ideas of attraction with ideas of discomfort – colourful an...
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A Spectre Is Haunting Mayfair: Haunted Realism At The Gagosian
ADAM MCEWEN, Untitled, 2020. Flashe and spray paint on paper 11 1/4 x 15 3/4 in, 28.6 x 40 cm © ...
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Billericay Mickie: Michael Landy At Firstsite, Colchester
Michael Landy, Essex Man (after Collet), 2021. Based on an original drawing by Edward Collet. Mi...
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Echo's Answer: New Sound Art From Ireland
“In my music, you have to concentrate on one or two things … one thing actually. I’ve been told...
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We Are All Voluptuous: Luchita Hurtado's Sky Skin Series
Luchita Hurtado, Untitled, c. 1976, Oil on canvas, 42.5 x 58.4 cm / 16 3/4 x 23 in. © The Estate...
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Your Head It Simply Swirls: The Otolith Group in Dublin
All photos: Ros Kavanagh The Otolith Group is a collective formed by Anjalika Sagar and Kodwo E...
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Why Can’t They See? The Lost World Of The Twenties Group
Rex Harris, Church in the Downs, pre 1939. ©The Artist's Estate. Salford Museum & Art Galler...
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Network Time: Yuri Pattison Measures The Modern World
Yuri Pattison, cuttings, 2022, detail. Courtesy and copyright the artist and mother’s tankstatio...
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The Waves And After: At The Whitstable Biennale
Alicia Radage, Underneath Infinity “What about the sea?” “Is it relevant? It’s not as if we go...
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