A Quietus Interview:
Annie
Craft/Work
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Enter The Void: Berghain As Art Gallery
With the unadulterated hedonism of Berlin’s club scene indefinitely on hold, the legendary club...
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Light And The City: Klara Lidén's Guerrilla Urbanism
Installation view, Klara Liden, Turn Me On, Sadie Coles HQ, London, 03 September – 24 October 20...
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Islands In The Dream: The Art Museums Of Teshima & Naoshima
At first glance, there is something curiously underwhelming about the sole exhibit in Teshima A...
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Hacking The Street: Bill Posters' Guide To Guerrilla Theatre
Credit: Space Hijackers. During the G20 summit protest in London in April 2009, the Space Hijack...
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Flux Capacitors: The Alternative School Of Economics Unpack The Present Moment
Online shared noticeboard for Time(un)line Workshop: Mapping the Crisis, a workshop by The Alter...
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Best Of Fronds: Zheng Bo's Vascular Sexuality
Zheng Bo, Pteridophilia 1 (2016) Video (4k, Colour, sound), 17 min Ferns do not reproduce in th...
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Outside Looking In: Window Galleries In The Era Of Social Distancing
A few weeks back, right in the heart of lockdown, I was wandering round some half-familiar stre...
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Welcome Unhome: Cao Fei’s Uncanny Attractions
Cao Fei, Blueprints (Installation view, Serpentine Gallery, 4 March – 17 May 2020) Photo credit:...
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Anne Tallentire: An Artist in Time
All photos by Ollie Harrop What was the starting point for this book? How did the project come ...
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Great Lengths: Nick Relph At Herald Street
Later on, I would wonder if perhaps it were some elaborately staged work of performance art, so...
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William Basinski
Televangel
Pharaoh Overlord
Working Men's Club
Juana Molina
Anton Barbeau
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