A Quietus Interview:
Black Midi
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The Machine Stops: Marie Staggat & Timo Stein Capture The Silent Clubs Of Berlin
All photos by Marie Staggat EM Forster’s early twentieth-century novella, The Machine Stops ope...
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From Zap To Zwirner: Robert Crumb's Comix Legacy
Crumb’s World, 2021. Photo by Alex Casto. Courtesy of David Zwirner Books In 2016 Fantagraphics...
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Hyperunionisation: Cultural Workers Fighting Precarity
Photo by Jaime Rory Lucy © PCS Tate United Branch Across Europe, arts workers are bringing atte...
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Irreal Deal: Anthony Mannix & The Trouble With 'Outsider Art'
To explain his objection to the term ‘outsider art’, Anthony Mannix is describing an old episod...
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The City & The City: An Interview With John Smith
Citadel by John Smith, courtesy MUBI Artistic and philosophical responses to lockdown appeared ...
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Welcome To Indulkana: The Wild Satire Of Vincent Namatjira
Vincent Namatjira - MCA Foyer Wall, MCA. credit: Daniel Boud “It only took 99 years” The quote...
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Postcards From The Edge: Crocodile Cradle At Peer, Hoxton
“I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man...
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House Of Paint: Big Jeff Johns Interviewed
Some folk attend gigs with such devotion that they are in danger of developing the kind of lege...
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Rapid Ear Movements: The Rebellious Objects Of Sound Artist Zimoun
On first approaching the new work by Zimoun, the listener is confronted with what appears to be...
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Daniel Johnston’s Psychedelic Drawings: A Swirling Trip Through ‘Outsider Art’
POW, 1978. Ink and marker on paper. 11 x 8.5 in Daniel Johnston, the legendary outsider artist ...
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The Catenary Wires 
Kevin Richard Martin
Manni Dee
Backxwash 
Tomorrow x Together
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